First Audio/Video Release in Ancient Future History Drops on Earth Day

Ancient-Future.Com Records Presents:

Yearning for the Wind

Hi-Res Cover Art

by Ancient Future

Composed by scalloped fretboard guitar innovator Matthew Montfort, Yearning for the Wind is a poignant piece based on Rag Kalyan, an evening raga that corresponds to the Lydian mode. The composition also incorporates harmony and other guitaristic elements. A duet with Indian tabla virtuoso Vishal Nagar, who is considered one of the most gifted tabla players of his generation, Yearning for the Wind is set in matta tal, a nine beat rhythmic cycle. As a bridge between the slow and fast sections of the piece, Vishal Nagar performs an elegant tabla solo over the soft nine beat groove that slowly builds up to a vibrant rela (a fast tabla composition characterized by rapid drum rolls).

Yearning for the Wind is the first audio/video release in Ancient Future history. It is also the first brand new Ancient Future studio recording released to the general public since 2002'sPlanet Passion.  It isn't that Ancient Future hasn't been active. Indeed, Ancient Future has recorded over three hours of music in this period, much of it live. But rather than release it all in a market where a low value is placed on music while a high value is placed on the tech companies that deliver it, Ancient Future has taken a different approach.

Recorded in December 2013, this evocative piece was produced for the Archive of Future Ancient Recordings, Ancient Future's ambitious ongoing recording project. To financeA.F.A.R., Ancient-Future.Com Records provides financial supporters access to select files from Ancient Future's archives of alternate takes, live concerts, radio performances and new studio recordings as they are created. On February 11, 2014, the exact 35th anniversary of the first Ancient Future concert, Yearning for the Wind became the 10th track added to the archive and was made available to A.F.A.R. supporters in mp3, CD quality, and 96-kHz/24-bit hi-res audio and HD video.

To promote the Archive of Future Ancient Recordings, Earth Day (4/22/14) of Ancient Future's 35th year performing was chosen for the digital release of Yearning for the Wind. The quality is stellar with beautifully shot HD 1080p video and audiophile sound. Fans can download it on iTunes and other digital retailers as a a single (AF-20352), a video (AF-90302), an mp3 bundled with an HD video (AF-20302), or sign up to support A.F.A.R. to get it in full 96-kHz/24-bit audio resolution as a thank-you gift! An enhanced E-CD with the audio, video, and digital liner notes will be available at online stores such as Ancient-Future.Com and Amazon.com starting June 17, 2014.

'Yearning for the Wind' Video

YouTube Video

Release Specifications

Yearning for the Wind 1 Sheet

• Digital Release Date: April 22, 2014 (Earth Day)
• Radio Add Date: May 20, 2014
• E-CD Release Date: June 17, 2014
• Label: Ancient-Future.Com Records
• Audio/Video Catalog Number: AF-20302: Audio/Video E-CD - $17.98 list; MP3/Video - $2.97 list. UPC: 825336203020
• Audio Catalog Number: AF-20352: MP3 - $1.98 list. UPC: 825336203525
• Video Catalog Number: AF-90302: Video - $1.99 list. UPC: 825336903029
• Copyright: © 2014 Ancient Future Music
• Genres: International/World/Indian Fusion/Hindustani Classical
• Video Director: Michael Braden
• Producer: Matthew Montfort
• Total Length: 9:37
• Track List:
  1. Yearning for the Wind (Matthew Montfort. 9:37). audio (ISRC: US-N9P-14-20302). video (ISRC: USN9P1490302).

Biographies

Hi-Res Photo by Devki Saraiya.

Ancient Future has expanded its musical vision through collaborations with traditional musicians from all over the world who are now an integral part of what is today more than just a band. To enable its core mission of creating world fusion music, Ancient Future has grown to become a large chamber ensemble of world music masters with many smaller ensembles within it, including this improvisatory duet featuring world guitar pioneer Matthew Montfort accompanied by renowned Indian tabla virtuoso Vishal Nagar. They present an innovative and accessible take on Hindustani classical music and contemporary fusion, with expressive and energetic renderings of raga and tala.

Matthew Montfort

Hi-Res Photo by Michael Braden.

Matthew Montfort conjures lovely Asian zither-like inflections with a scalloped fretboard guitar.– Guitar Player Magazine

Honored as one of the world's 100 Greatest Acoustic Guitarists, Matthew Montfort has devoted himself to the scalloped fretboard guitar since 1978. He spent years of study with some of the world's best musicians, such as gamelan director K.R.T. Wasitodipuro and North Indian sarod master Ali Akbar Khan. He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India,which has been used by many musicians to improve their rhythm skills.

Vishal Nagar

Hi-Res Photo by Michael Braden.

Considered one of the most gifted tabla players of his generation, Vishal Nagar was born into a family of musicians and had his initial training for a very brief period with the late Ustad Latif Ahmed Khan of the Delhi Gharana. Along with the dense and rare tabla repertoire which was he received from his Ustad, he also has had intense rhythmic training from his mother, the renowned and highly respected Kathak dancer and vocalist, Urmila Nagar. Vishal has been praised in the Indian press for his unique combination of melodic tabla sound production with masterful command of rhythm. Vishal has had the privilege of performing with many renowned artists: Ustad Shujaat Khan, Guru Urmila Nagar, Vidhwan Trichur Ramachandran, Pandit Ramesh Misra and Kala Ramnath, to name a few. Vishal has shared the stage with some great world music masters such as African drum legend Babatunde Olatunji, Michel Shrieve, Evyind Kang, Carmona Flamenco, and Michael Wimberley. Vishal has also expanded his cultural boundaries and collaborated with musicians from around the world. Some of his memorable works have been with the Ghanaian Guitarist Koo Nimo with whom he also appeared in WOMAD USA (a leading world dance and music festival started by Peter Gabriel).

Ancient Future 'World Without Walls' Reunion Concert to Stream Live on ConcertWindow.com October 16 at 8 PM PDT

Ancient Future Concert to Stream on ConcertWindow.com

'World Without Walls' Reunion Concert Streams Live October 16 at 8 PM PDT

In a first for Ancient Future, their upcoming 'World Without Walls' reunion concert at the Freight & Salvage will be available for viewing anywhere in the world as a live stream. This is a very rare chance for Ancient Future fans worldwide to view a live concert of the exact lineup of the pioneering world music group that performed on Ancient Future's influential World Without Walls and Asian Fusion recordings. They will perform their fourth reunion concert after a 15 year hiatus on Wednesday, October 16, at 8 PM at the Freight and Salvage, located at 2020 Addison Street in Berkeley.

Online tickets are available now for $5 at concertwindow.com/shows/ancient-future. The webshow will not be archived – it's offered only in real time starting at 8 PM Pacific Daylight Time on October 16. It is recommended to purchase a ticket in advance to sign up for an email reminder to tune in for the show at the correct time. ConcertWindow.com includes a show time count-down clock, or a site such as timezoneconverter.com can be used to calculate the local time the concert will begin streaming. For example, for music fans in Mumbai, India, the concert stream will begin at 8:30 AM on October 17.

Wednesday, October 16, 2013, 8 PM PDT
Streaming Live at ConcertWindow.com
Freight and Salvage
2020 Addison Street, Berkeley, CA 94704
Tix: $18.50 in advance, $20.50 at the door, or $5 for live stream at concertwindow.com/shows/ancient-future.
Info: Call 510-644-2020 or email info@freightandsalvage.org
Facebook Event.

'World Without Walls' Reunion Video of 'Indra's Net' Released in Celebration

Live Medley of 'Alap' and 'Indra's Net' Recorded at Yoshi's, San Francisco, 6/7/11


To celebrate Ancient Future's first worldwide live streaming video concert, a live video recording of a medley of Matthew Montfort's 'Alap' and Jim Hurley's 'Indra's Net' composition is being released, available for viewing at http://youtu.be/fCVQZLBS43c. Inspired by Hindu mythology, 'Indra's Net' was used as a soundtrack for a United Nations documentary film, Closing the Curtains of Death, about drift net fishing. This version was recorded at Yoshi's San Francisco on June 7, 2011, the day of their first performance together in 15 years. The video features Doug McKeehan on piano, Kash Killion on bass, Ian Dogole on percussion, Matthew Montfort on scalloped fretboard guitar, Jim Hurley on violin, and Patti Weiss on violin. 'Indra's Net' is the third video to be released from the reunion concert, joining '14 Steps' by Matthew Montfort (http://youtu.be/Ro0VAo7a9BY) and 'Turkish Taffy' by Doug McKeehan (http://youtu.be/e0YyuM7YTIo).

'World Without Walls' by Ancient Future on Capitol Records

Hi-Res Square Cover Art (3 MB)

Featuring Tabla Master Zakir Hussain

(Sona Gaia/MCA 163): CD - $24.98 (collectable signed copy): Buy Link. audio.
Press Audio Downloads: Lakshmi Rocks Me (Jim Hurley) MP3 (excerpt, 976k). audio.
14 Steps (Matthew Montfort) MP3 (excerpt, 1 MB). audio.

As its name suggests, World Without Walls depicts a musical world without borders. Originally released in 1990, it features performances by such world music luminaries as Zakir Hussain, the master of the North Indian tabla. World Without Walls was reissued digitally by Capitol Records in 2011 to honor Ancient Future's reunion concerts. In 2012, broadcasters worldwide voted the reissue as one of the top 5 world music releases of the year, 22 years after its initial release. The inviting melodies and ingenious use of ethnic textures make this recording one of Ancient Future's most accessible and broadly appealing releases ever.


Tabla master Zakir Hussain

Ancient Future Band Biography

Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.
In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music.

Quotes

World Without Walls Media Report (13.9 MB)

Below are just a few of the rave reviews for the reissue of World Without Walls:

"Bloody hell, get me some Alzheimer's drugs, will you? Ancient Future was on Narada's Sona Gaia subsidiary with a world beat album that was ahead of it's time and they were hanging out with Zappa's world beat buddies and I don't remember any of it? Each track has a different taste and a different texture making this a world beat travelogue that gleefully genre bends whatever the crew felt like with a merger of hillbilly and Indian music, the sound of an African traffic jam and more stuff that tastes good without the over riding vibe of being good for you. And it's not empty calories either. No wonder the group labored so long and so hard to get Capitol to reissue this, it's time. More bloody hell, new copies of this are going for over $200 on Amazon! How did I miss this? This is the world beat/jazz/pop album for people that shy away from things called world beat and jazz. Fun stuff throughout that still sounds fresh and in the moment today." - Chris Spector, MIDWEST RECORD (July 2011)

"21 years after the release of the already classic 'World Without Walls,' the original lineup of 'Ancient Future' reunited in a series of shows at Yoshi's in SF. On this occasion Capitol/EMI Records launched the first digital version of this influential album that marked not just the career of the band and its members but represents a reference of the World Music phenomenon. The original album released in 1990 features 10 songs that mix Oriental, Celtic and African inspired rhythms with modern jazzy beats, and subdued lyricism with melodic creativity. As the title of the album suggests there's no walls between musical influences but we can say that there's no wall between these virtuoso performers, whose joyful interplay delights the listener with a fusion of exotic and western harmonies that sound like chamber music. The three composers of the album (Jim Hurley on violin, Matthew Montfort guitars, Doug McKeehan piano, synthesizers) looked for inspiration to ancient lands of musical tradition, bringing the African, Balinese, Chinese, Indian, Middle eastern sounds into a modern setting that preserves their original savor. It is a surprising and enchanting synthesis of classical, modern and exotic crafted with the art of a jeweler. Talking drum, bells, chimes, dumbek, udu, bass drums, sleigh bells and tabla (played by Zakir Hussain on 3 songs) keep the rhythm alive and fresh, while organically blending into the compositions. An album that is also inviting to listen more from what this legendary band has produced over the years." - Stephen Bocioaca, WORLD JAZZ NEWS (July 2011)

"Ancient Future is a well known group inside the interesting world of the World Fusion Music (or World Music with fusions of many other styles). It is a group with a perfect fit of traditional instruments (flutes, percussion of different parts of the world, violin, etc) with others more associated with rock (bass and electric guitar, synthesizers...) and is made up of musicians who are capable of playing them all, which opens up many possibilities. The band was originally formed in 1978, with what at present is one of the most long-lived formations that has been dedicated exclusively to World Music, a genre (or perhaps an assembly of genres) that is very common at present, but that was not the case at end of the 70's. Ever since their beginnings they have mixed diverse forms of music, originating from Africa, Bali, the India, the Near East, South America, Europe and Asia in general. 'World Without Walls' was originally released in 1990, but is now being re-issued, principally for Internet distribution. The 10 themes they composed gravitate between African and Asian ethnic rhythms and melodies adorned with a lot of Hindu sounds and wrapped, as is the usual custom in Ancient Future, with sounds of multiple instruments that move the disk towards rock or jazz in certain moments (such as guitars, piano and synthesizers). The Hindu influence is especially present due to the contribution of Indian percussionist Zakir Hussain. Hussain is a musician of great prestige inside the musical circle of the members of Ancient Future, so his percussive embellishments fit perfectly with World Without Walls. Zakir Hussain participates in the pieces entitled 'Lakshmi Rocks Me,' '14 Steps,' and 'Gopi Song.' 'World Without Walls' has a very appropriate title. Music is, without doubt, an authentic universal language and Ancient Future shows it, by mixing in such a stunning manner so many styles that appear antagonistic, that nevertheless, they insert perfectly upon filtration through the group's sieve ." - Jorge Sergio Iglesias, Articmist.org, (Aug 2011)

"Sona Gaia and Narada were two of the more interesting World/New Age labels to erupt as the arts scene began diversifying with a seriousness that arose following the collapse of the 60s/70s ethos. Narada was a sketchy proposition at times, tending to the New Agier side of the house, whereas Sona always held a more serious attitude, and one of their best releases—this one, Ancient Future's World Without Walls—was never quite critiqued or marketed as it should have been: as a set of works in the tradition of Mahavishnu Orchestra, Between, Shakti, and other adventurous bands with almost inhuman chops. After all, the entire World gig pretty much rooted in the inestimably superlative Oregon, an ensemble that was and still is eons ahead of its time, talented beyond compare. Thus, those who came after should have been of-a-kind and acclaimed as such, right? Ah, but then the micky-marketeers entered, and what should've been a quantum leap became, well, Private Music, Steven Halpern, and Georgia Kelley, alas… although, in Shadowfax and others, the path was never quite erased. Well, now that everyone has sobered up and finds him- and herself able to ponder backwards, a few gems are being rescued. This re-release very much demonstrates that we missed quite a bit, even though Matthew Montfort continued his musical evolution and the band itself realigned for a dazzling concert last June (go to http://www.youtube.com/ancientfuture and click on 14 Steps for a marvelous example). Along with Montfort came Ian Dogole, Doug McKeehan, and Jim Hurley, masters of their instruments, and the quartet played and still plays as though it were twice that size, complicated narrative and rhythms filling each track. 'World Without Walls' is drenched with the most enticing and hypnotic of essences, a record that, despite the passage of 21 years since its debut, cannot age, a document upholding a spirit of creativity ahead of its time hundreds of years ago and remaining so in the hands of masters such as these. Thank goodness some things never change." - Mark S. Tucker, FOLK & ACOUSTIC MUSIC EXCHANGE (Sept 2011)

"When one listens to the melodies and musical textures of the fifth release 'World Without Walls' by the group Ancient Future, words like exotic, elegant and sublime immediately come to mind. Check out the group on YouTube and see if you are not drawn into their hypnotic enchantment. Ancient Future offers a musical vision of a 'world without walls' which is both appealing and accessible to the average listener and is highly recommended for anyone wishing to explore the amazing genre of World music." - Jack Montgomery, Amplifier, BOWLING GREEN DAILY NEWS (Sept 2011)

"It's hard to remember — with the plethora of World Fusion albums currently available — a time when this sort of music was the new kid on the block. This classic album by Ancient Future was a breath of fresh air at the time of its release in 1990. With inspired skill and a great respect for the other cultures from which they took much of their inspiration, the band blended western music with that of pretty much every other continent, weaving magic with their melodies and rhythms. And you know what? 'World Without Walls' sounds as fresh and invigorating today as it did all those years ago upon its initial release. There's not a single bad moment on the album." - Charles de Lint, SleepingHedgehog.com (Nov 2011)

"Not insipid easy-listening 'World Music', 'World Without Walls' is a remastered re-release of their 1990 classic, and doesn't sound dated at all. 'World Without Walls' is a fusion of musical stylings, scales and rhythms from around the world. The main influences I hear are Middle Eastern, Indian and South American, though there's also Jamaican 'Island Music' sounds, Balinese and probably dozens of other influences too subtle for me to notice. The instruments run the gamut of acoustic instruments like violins, piano, tuned percussion instruments and tablas (by renowned master Zakir Hussain) and also electric guitar synths and synthesizers. Leader Matthew Montfort plays (along with other guitars) a unique scalloped-fretboard acoustic guitar which allows for subtle pitch-bending and timbre-modulation effects. A careful listen will reveal that this is way beyond the usual health-food store 'World Music' offerings and is instead a high-energy, very experimental fusion of styles from around the world. Highly recommended." - Fred Trafton, GILBRALTAR ENCYCLOPEDIA OF PROGRESSIVE ROCK (Nov 2011)

First Video from Reunion Tour Supporting 'World Without Walls' by Ancient Future on Capitol Records

Live Version of '14 Steps' from Ancient Future's 'World Without Walls' Reunion Concert at Yoshi's SF, 6/7/11

http://www.youtube.com/watch?v=Ro0VAo7a9BY

July 26, 2011, Radio Add Date Announced for the Digital Release of this Classic 1990 Recording by Ancient Future featuring Tabla Master Zakir Hussain

Radio Can Download Broadcast Quality Tracks

http://airplaydirect.com/music/AncientFuture

Hi-Res Square Cover Art (3 MB)

On June 7, 2011, the exact lineup of Ancient Future that performed on the band's influential World Without Walls and Asian Fusion recordings reunited to perform for the first time in over 15 years at Yoshi's San Francisco and other venues. That same day to celebrate the reunion, Capitol/EMI Records released the first ever digital version of Ancient Future's classic 1990 World Without Walls recording. It is available now for download purchase at all major digital retailers such as iTunes and Amazon.com MP3 Store.

As its name suggests, World Without Walls by Ancient Future depicts a musical world without borders. This classic 1990 recording features Ancient Future members Matthew Montfort (bandleader, guitars), Jim Hurley (violin), Doug McKeehan (keys), and Ian Dogole (percussion), plus special guest performances by world music legend and tabla master Zakir Hussain. The inviting melodies and ingenious use of ethnic textures make World Without Walls one of Ancient Future's most accessible and broadly appealing releases ever.

The first video for the release is a live version of Montfort's '14 Steps,' a jazzy romp with a funky fourteen beat Indian groove. It was recorded on June 7, 2011, at Ancient Future's 'World Without Walls' Reunion Concert at Yoshi's San Francisco, and is available for viewing at http://www.youtube.com/watch?v=Ro0VAo7a9BY.

Digital promo including audio is now available to the media upon request. Reviewers should contact Ancient-Future.Com Records at info@ancient-future.com. Radio programmers are encouraged to visit http://airplaydirect.com/music/AncientFuture for broadcast files. The radio add date is July 26, 2011, for reports to the CMJ New World and Zone Music Reporter charts.

Tabla master Zakir Hussain

Ancient Future Band Biography

Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.

In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music

Digital Release Specifications

World Without Walls 1 Sheet (864 k, streaming audio)

Original Release Date: June 7, 2011

Label: Capitol Catalog

UPC: 5099908369956

Radio Add Date: July 26, 2011

Radio Promo Service: http://airplaydirect.com/music/AncientFuture

Reviewer Promo Service: info@ancient-future.com

Copyright: © 2011 Narada Productions, Inc

Genres: International/World/Jazz/General

Total Length: 44:26

Credits: Matthew Montfort (scalloped fretboard guitar, steel string guitars, electric guitars, classical guitar, guitar synthesizers, mandolin), Jim Hurley (acoustic violins, Zeta electric violin, steel string guitar), Doug McKeehan (piano, synthesizers), and Ian Dogole (dumbek, talking drum, congas, bongos, udu, shaker, bass drums, cymbal, sleigh bells, kendang, kajar, ceng-ceng, bells, chimes), Zakir Hussain (tabla, kanjira), Gary Brown (fretless electric bass), Jeff Narell (steel drums), Vince Delgado (tambourine), Jack Dorsey (drum set), Bill Douglass (acoustic bass, Chinese flutes), and Bruce Kaphan (recording engineer, shaker).

Track List: (>audio. Listen to songs and excerpts.)

1. Lakshmi Rocks Me (Jim Hurley. 2:52). Sample MP3 (excerpt) (992K). (1:01).


2. Dance of the Rain Forest (Matthew Montfort. 4:45).


3. April Air (Doug McKeehan. 3:57).


4. 14 Steps (Matthew Montfort. 4:30). Sample MP3 (excerpt) (1MB). (1:07)


5. End of the Beginning (Matthew Montfort. 5:15).


6. Turkish Taffy (Doug McKeehan. 4:55).


7. Alap (Matthew Montfort. 1:10).


8. Indra's Net (Jim Hurley. 4:53).


9. Nyo Nyo Gde (Matthew Montfort. 4:00).


10. Gopi Song (Doug McKeehan. 7:46).

Quotes

World Without Walls Media Report (6.4 MB)

"World Without Walls speaks to a cultural enrichment...a melding of world culture with Ancient Future's own lush sense of melody and rhythmic drive." - John Diliberto, Jazziz (Nov 91)

"Ancient Future masterfully blends cultural music with contemporary rock and the result is superb. For those who have a taste for exquisite instrumental, you will not be disappointed with this addition to your library. Ancient Future has a great following and for just cause. It is clear that Matthew Montfort's intense studies of cultural music shines and his artistic blend of old world instruments and modern technology shatters esoteric stereotypes. Ancient Future's music is as intense as history itself, yet none less than simple pleasure to play." - Donald A. Thomas, Jr., Revolutionary Concepts (December 90)

"The matrix of panpipes in 'Dance of the Rain Forest' is what would've happened if Steve Reich were Quechua, and the dumbek in 'Turkish Taffy' is fiery enough to induce spontaneous belly dancing. Extra credit to Zakir Hussain, whose tabla playing lends legitimacy to the Indian airs. Basically this is Shadowfax with teeth." - Michael Bloom, Boston Rocks (April 91)

"Long before the phrase 'world music' became ubiquitous, Matthew Montfort and his group Ancient Future were boldly melding Asian and western music. Over the years they've carved out a respectable niche for themselves in the netherworld of alternative music; 'World Without Walls' just might kick them into the mainstream. There are enough ear treats to please just about anyone. From the soaring 'Lakshmi Rocks Me' to the beautiful scalloped fretboard guitar work on 'Alap', and the exquisite 'Nyo Nyo Gde,' 'World Without Walls' is well worth hearing." - Mark Nelson, MIDI Guitar (Spring 91)

"Ancient Future makes ancient musical traditions of the world accessible to western ears. Ancient Future has found a winning mixture of sound to please the popular listener. World Without Walls envisions a civilization that values and respects all cultures. The wealth of World culture has yet to be uncovered. World without Walls is a great step in this direction. It makes me think of Ancient Persia, Middle Eastern cultures, Islamic Art, The Rubaiyat of Omar Khayyam." - New World (April 91)

"Ancient Future, one of the first proponents of world music, is back. Each piece involves a complex mixture of musical traditions, including jazz, electronic, and exotic instruments. You will hear influences from many countries, all creating the texture of a musical world without walls." - Carol Wright, NAPRA Trade Journal (Spring 91)

"This recording breaks down many walls. It's a bridge from ancient musical traditions to modern music culture, from folk tradition to modern customs. The scalloped fret guitar, sitar, congas, dumbek, tabla, African talking drum, and other exotic instruments are combined with the synthesizer in a way that expands contemporary composition. The music flows in driving rhythms, fast, and fashioned after popular patterns. But it has the soul of Indian and Middle Eastern music. Lakshmi Rocks Me soars with acoustic violin backed by Zakir Hussain's renowned tabla playing. Dance of the Rainforest begins with a short gamelan prelude. Then it sways into a world fusion waltz. It's a playful metaphor celebrating the rainforest. Ancient Future takes great inspiration from Classical Indian music and transforms it somehow into the energy of world fusion. This music wakes you up. It's refreshingly new without a hint of nostalgia." - Kathleen Lawson, Well Being Journal (April/May 91)

"Worldbeatnik Alert: Ancient Future have a jazzy side that keeps things interesting, sorta like a more energetic version of Oregon. Their latest cross-cultural exploration, WORLD WITHOUT WALLS mixes Celtic, Arabic, and Asian modes to create a soundtrack for your next mind vacation, to plagiarize a phrase." - J. Poet, Ward Music Monthly (June 91)

"This is a wonderful collection of original tunes that reflect the influence of many cultures, most notably that of India, as well as the nuances of the Orient. The artists are a seasoned group of professional musicians who produce a seemingly effortless fusion of Eastern melodies and meters with Western instrumentation and a jazzy groove. The song Turkish Taffy is a great example; the melody line definitely inspires visions of old Istanbul, while the tune builds up a swinging groove that climaxes in a fiery electric guitar solo at the end that would please fans of rock guitarist Santana. Virtuoso violin playing by band member (and composer) Jim Hurley, Zakir Hussain on tabla and assorted Indian percussion instruments give the tunes an authenticity and driving force. A delightful album." - Heartsong Review, Spirit of Change (Winter 91-92)

"Ancient Future was one of the first groups to explore the idea of World Fusion music. Their most recent effort, the aptly-titled 'World Without Walls,' showcases Montfort's scalloped, steel-string & classical guitars with spirited support throughout the ten pieces. There is the lyrical piano/steel drum interplay of 'April Air,' the acoustic sensitivity of '14 Steps', the fluid electric violin and busy bass on 'Dance of the Rain Forest,' and the dazzling sound of Zakir Hussain's tabla playing which adds zest to the lively opener 'Lakshmi Rocks Me' and two other selections." - Lloyd Barde, Common Ground (Spring 93)

"World Without Walls opens with 'Lakshmi Rocks Me.' Composer Jim Hurley's violin leads before a very fast, high tabla played by master drummer Zakir Hussain. Matthew Montfort plays a sweet, Southern electric guitar on 'Dance of the Rainforest.' The watery feeling winds out to an Allman Brothers-like easy landing. Montfort joins Hussain on '14 Steps' with pensive ruminations on his lovely scalloped fretboard guitar. With Hurley on acoustic violin, they play a dynamic, perfectly entrained tabla/guitar/violin raga-jam, linked note for note until the violin takes off wailing against the backdrop of Bill Douglass' soothing acoustic bass line. On 'Indra's Net' Doug McKeehan's gentle synthesizer and piano paint stars across the blackness of the acoustic bass, while composer Hurley's violin streaks the sky." - Diane Darling, Green Egg (Spring, 94)

FOR IMMEDIATE RELEASE: 9/28/2010
Contact: info@ancient-future.com

Matthew Montfort of Ancient Future Featured on Rachel Maddow Show

Kent Jones Reports on the Strange Instruments Played at the Music for People and Thingamajigs Festival in San Francisco

To replay video, refresh page.

Matthew Montfort Showcases Unusual Guitars at Music for People and Thingamajigs Festival

Matthew Montfort, guitarist and bandleader of the pioneering world fusion music group Ancient Future, was interviewed and performed on the Rachel Maddow Show on MSNBC on Friday, September 24th, 2010.

Kent Jones, the Rachel Maddow Show's pop-culturist, was in San Francisco September 23rd and 24th to cover the opening of the Music for People and Thingamajigs Festival. Matthew Montfort kicked off the festival by showcasing his unusual guitars: the Godin Glissentar, an 11 string fretless guitar, and the scalloped fretboard guitar, a special modified instrument able to produce ornaments characteristic of the sitar.

Matthew Montfort Interviewed on Rachel Maddow Show

The “Just Enough” with Kent Jones segment airs during the last few minutes of the Rachel Maddow Show and aims to provide viewers with just enough pop culture news. During the sound check for the festival, Kent Jones interviewed the musicians and played many of the instruments himself. After sound check, Kent Jones and his cameraman videotaped the entire opening night of the festival.

The September 24th, 2010 “Just Enough” segment features Kent Jones trying out some of the unusual instruments at sound check along with interviews with Matthew Montfort and some of the other Music for People and Thingamajig Festival performers. Montfort was asked to demonstrate the unique musical features of the Godin Glissentar.

Ancient Future Duet featuring Matthew Montfort and Bui Huu Nhut Performs on Rachel Maddow Show

A selection from Matthew Montfort's Music for People and Thingamajigs Festival performance was the only music from the festival that was featured on the Rachel Maddow show. Montfort performed his piece, “Purple Raga,” from his Seven Serenades for Scalloped Fretboard Guitar recording, but in this unusual arrangement, he was accompanied at the end by Bui Huu Nhut, a master of the dan bau, a traditional Vietnamese single string instrument with an indigenous version of a whammy bar. Bui Huu Nhut is well known to fans of Ancient Future from his performance of “Jah Nam” on Ancient Future's Asian Fusion recording, which was also featured on the Putumayo sampler, Asian Lounge. The two performed a spontaneous improvisation based on the guitar solo section of “Purple Haze” by Jimi Hendrix. They received a standing ovation from the festival audience.

Matthew Montfort's “Purple Raga”

5 Page Guitar Player Magazine/GuitarPlayer.com Media Report (1.4 MB):
http://www.ancient-future.com/pdf/MatthewMontfortGuitarPlayerMag.pdf

For those interested in learning more about Montfort's “Purple Raga” piece, the December 2009 collectible commemorative Les Paul issue of Guitar Player Magazine includes a full page feature with a photo of Matthew Montfort superimposed over psychedelic artwork portraying Jimi Hendrix and an interview with Montfort about the scalloped fretboard guitar, Indian raga, and his thoughts about the relationship of Indian raga to the music of Jimi Hendrix. The story includes a link to a GuitarPlayer.com online lesson created by Matthew Montfort, entitled “The Music of Jimi Hendrix Applied to Indian Raga,” which explains the musical concepts behind the “Purple Raga” track on Montfort's debut solo CD, Seven Serenades for Scalloped Fretboard Guitar.

GuitarPlayer.Com Video: “Purple Raga”

Embed code available at: http://www.guitarplayer.com/story.aspx?id=100631&terms=montfort

GuitarPlayer.com is hosting a video of Matthew Montfort performing his “Purple Raga” composition live at Ancient Future's 30th Anniversary Concert on a Godin Glissentar, the 11 string fretless guitar endorsed by Montfort. It is the first recording available of Montfort performing on the Glissentar.

Matthew Montfort Bio

Hi-Res Photo of Matthew Montfort by Julie Marten (2 MB, 300 dpi 4.3 x 6.5):
http://www.ancient-future.com/images/matthewmontfort600.jpg

As leader of the world music group Ancient Future, Matthew Montfort has devoted himself to the scalloped fretboard guitar since 1978. He spent years of study with some of the world's best musicians, including North Indian sarod master Ali Akbar Khan and vina master K.S. Subramanian, with whom he did an intensive study of South Indian note-bending techniques. He has performed concerts worldwide, from the Festival Internacional de la Guitarra in Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenons Zakir Hussain and Swapan Chaudhuri, sitar master Pandit Habib Khan, Carnatic saxophone legend Dr. Kadri Gopalnath, and Chinese zither master Zhao Hui.

Seven Serenades for Scalloped Fretboard Guitar

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Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort.(AF 2008). $17.98: Buy Link.

The debut recording by Ancient Future leader Matthew Montfort showcases his pioneering work on the scalloped fretboard guitar, a special modified instrument able to produce ornaments characteristic of the sitar.

“This unusual guitar album brings together world instruments to complement the scalloped fretboard guitar. Starting with 'Gauri the Golden,' an improvisational piece drawing heavily on Indian raga, this is an intriguing collection of the resulting compositions. In fact, the entire CD is based on improvisation and includes one tune with an ancient Celtic theme, which Montfort suggests has many parallels 'to the Vedic tradition.' I must admit that sometimes ragas played by guitar players seem to wander on forever, changing a note here and there and weaving a kind of slow, hypnotic journey. However, this guitar work is stunning, intricate and wonderfully melodic. If you are looking for good listening and something different for your CD shelf, this is it. But don’t go carving up your fretboard until you've really figured this out.” — J.W. McClure, from review of Seven Serenades for Scalloped Fretboard Guitar, VICTORY REVIEW ACOUSTIC MUSIC MAGAZINE, April, 2010.

Hi-Res CD Cover Art of Seven Serenades (912 k):
http://www.ancient-future.com/images/serenade300dpi.jpg
One Sheet for Seven Serenades with Streaming Audio:
http://www.ancient-future.com/pdf/serenades_1sheet_dig.pdf
Liner Notes for Seven Serenades:
http://www.ancient-future.com/pdf/serenades_digital_liner_notes.pdf

Bui Huu Nhut Bio

Bui Huu Nhut (pronounced “buoy who newt”) is a leading performer on the dan bau, an instrument of purely Vietnamese origin. Its single string is stretched over a long box, attached to a tuning peg at one end, and to a flexible rod (which holds a resonating gourd) at the other. Its sound is said to “find its way into the secret places of the soul.” A native of Saigon, Mr. Bui has lived in the U.S. since 1989. He performs in traditional Vietnamese groups and with several ensemble variations of Ancient Future, including the Asian Fusion Dance Ensemble Program.

Video of Entire “Just Enough” with Kent Jones Segment 9/24/2010

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Entire Transcript

Rachel Maddow: So here's the bad news. On the day that we find out that a fist fight broke out in the stands between a man and two women no less, while Sharron Angle was speaking at a candidate forum in Nevada, on the day that Stephen Colbert braids performance art and politics together so tightly that he almost pops immigration reform out of Congress with the sheer pressure of his wit, on the day we actually get in the mail the stink mailer from the crazy Carl for Governor campaign in New York, the piece of direct mail scented with the smell of land fill, on the day when we most need a man of Kent Jones' talents to make sense of the world around us, Kent is on vacation. That's the bad news. We need him. He's gone. The good news is that it turns out that Kent does some freaky crazy weird stuff on vacation and then pops into a studio to tell us about it. Kent, did you seriously do what I heard you did today?

Kent Jones: Ah, well, I mean this depends on what you think it is that I “did” today. I'm in San Francisco and I think that I helped the people of San Francisco advance music to the next level.

Rachel Maddow: OK.

Kent Jones: That's what I think I was doing today. So, may I present the Festival of Music for People and Thingamajigs.

(Ancient Future musicians Matthew Montfort and Bui Huu Nhut perform on fretless guitar and dan bau)

Kent Jones: This is a guitar, but not like one we know. Tell me about this.

Matthew Montfort: Right, this guitar actually has no frets on it. And so it's basically a combination of an oud and a guitar.

Kent Jones: You told me that these are skatch boxes. What is that?

Tom Nunn: Skatch box is a kind of instrument that comes out of a technique called skatching. And skatching is basically taking a shaped comb and scraping it across a surface.

(Tom Nunn and David Michalak playing their scatch boxes)

Kent Jones: And that's what it sounds like inside my head.

Gretchen Jude: This is a koto, a traditional Japanese instrument. And this is a photo koto. They react to light in a way you will hear when I play.

Kent Jones: Could you play a little bit for me, please?

Gretchen Jude: Of course. Actually, your cameraman can play?

Kent Jones: What? How does that work?

Gretchen Jude: OK. The light comes in here. Ready?

(Sound of photo koto reacting to the camera light)

Kent Jones: That was my cameraman playing the photo koto. It's a first.

Terry Berlier: This one is used from recycled pan lids and this is called the percussion ball. Each hole has a different length tube in it. So the longest one is about ten feet long. And so the length of the tube determines the pitch or the note you're getting.

Kent Jones: Thank you, good night!

Rachel Maddow: Kent, if you come back to the office without that thing, that makes noise when you hit it with light, I'll be very angry.

Kent Jones: I'm going to need a bigger desk, I'm just saying right now.

Rachel Maddow: And also maybe a larger overhead compartment for the flight home...but...

Kent Jones: That goes without saying.

Rachel Maddow: Thank you, Kent. Happy vacation.

Kent Jones: Thank you.