Ancient Future Spring 2015 Pacific Northwest Tour

Ancient Future Pacific Northwest Concert Tour

Hi-Res Photo of Matthew Montfort and Vishal Nagar by Devki (1 MB)

Featuring World Guitar Pioneer Matthew Montfort and Tabla Virtuoso Vishal Nagar
With Special Guest Seven-String Fretless Bassist Jason Everett

Tour Poster (145k .pdf)

Tuesday, April 28, 2015, 7:30 PM
The Royal Room
5000 Rainier Ave S
Seattle, WA 98118
Tix: $15 adv/$18 door. Advance tix at strangertickets.com/events/23464505
Info: Call 206-906-9920, email tristan@theroyalroomseattle.com, or visit theroyalroomseattle.com
Facebook: facebook.com/events/720065691448010/
Tour Preview Video: https://youtu.be/rRuobA_LaEI


Wednesday, April 29, 2015, 8 PM
Vashon Theatre
17723 Vashon Highway SW
Vashon, WA 98070
Tix: $15 adv/$18 door. Advance tix at ancientfuturevashon.brownpapertickets.com
Info: Call 206-229-8491 or email jason@misterEmachine.com
Facebook: facebook.com/events/1381381872183442/
Tour Preview Video: https://youtu.be/rRuobA_LaEI


Thursday, April 30, 2015, 7:30 PM
The Conway Muse
18444 Spruce St.
Conway, WA 98238
Sponsored by the Rick Epting Foundation for the Arts
Tix: $15 adv/$18 door. Advance tix at brownpapertickets.com/event/1311376
Info: Call 360-445-3000, email elfa@conwaymuse.com or visit conwaymuse.com
Facebook: facebook.com/events/827145900690045/
Tour Preview Video: https://youtu.be/rRuobA_LaEI


Saturday, May 2, 2015, 5:30 - 7:00 PM
Moscow Renaissance Fair
Main Stage
East City Park, Third and Monroe Streets
Moscow, ID 83843
Tix: Free admission.
Info: Visit moscowrenfair.org
Facebook: facebook.com/moscowrenaissancefair



Hi-Res Photo of Matthew Montfort and Vishal Nagar at Recording Session by Michael Braden (858k)
This is the first Ancient Future tour of the Pacific Northwest in a decade. Celebrating its 36th year, Ancient Future is the world's first and longest running ensemble dedicated to world fusion music. They've sold over 150,000 albums and millions of samplers, and performed over 1,000 concerts. Ancient Future has become a large collective of master musicians from around the world with many smaller ensembles within it. Each program focuses on the traditions of the master musicians involved.
Strains of passionate flamenco and ethereal Indian raga emanate from this program featuring world guitar pioneer Matthew Montfort and renowned Indian tabla virtuoso Vishal Nagar. For a portion of the show, special guest and Seattle area fav Jason Everett (aka Mister E) will accompany them on seven-string fretless bass. The program will feature music from the ground breaking world music recordings of Ancient Future, including the first audio/video release in Ancient Future history, 2014's Yearning for the Wind.

"Matthew Montfort subtly coaxes remarkably flowing lines from his scalloped fretboard guitar. And Indian tabla virtuoso Vishal Nagar intuitively places incredibly intricate rhythmic patterns into the piece. Ancient Future has been making wonderful world fusion music for three decades. The possibilities remain infinite." — Paul Freeman, PALO ALTO DAILY NEWS

Matthew Montfort (scalloped fretboard and fretless guitars)

Hi-Res Photo of Matthew Montfort by Julie Marten (2 MB)
The leader of the world music group Ancient Future, Matthew Montfort, is a pioneer among guitarists who have had their fretboards scalloped in order to play various forms of world music that require intricate note-bending ornaments while still being able to play chords. Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. He has released two solo guitar recordings: Seven Serenades for Scalloped Fretboard Guitar and Sympathetic Serenade, for which he was lauded as one of the world's 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com, a curated "best of" site, along with such luminaries as Michael Hedges, Leo Kottke, Chet Atkins, John Fahey, Merle Travis, Tommy Emmanuel, Doc Watson, and Alex De Grassi. The December 2009 Les Paul issue of Guitar Player Magazine includes a full page feature on Matthew Montfort with a corresponding GuitarPlayer.Com video and lesson entitled "The Music of Jimi Hendrix Applied to Indian Raga." He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has performed live on national radio and TV shows such as the Echoes Living Room Concerts on Public Radio International, and the Rachel Maddow Show on MSNBC. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.

Vishal Nagar (tabla)

Hi-Res Photo of Vishal Nagar by Inni Singh (5 MB)
"He has magic in his hands" — Hindustan Times
Vishal Nagar is considered one of the most gifted tabla players of his generation. Born into a family of musicians, as a child he was fascinated by tabla and began to play at an early age. Vishal had his initial training for a very brief period with the late Ustad Latif Ahmed Khan of the Delhi Gharana. After his Ustad's untimely demise, Vishal continued his training under the guidance of Ustad Shamim Ahmed Khan of the same Gharana (school). Along with the dense and rare tabla repertoire (taleem) which he received from his Ustad, he also has had intense rhythmic (layakari) training from his mother, the renowned and highly respected Kathak dancer and vocalist, Urmila Nagar. Vishal has been praised in the Indian press for his unique combination of melodic tabla sound production with masterful command of rhythm. Vishal has had the privilege of performing with many renowned artists: Ustad Shujaat Khan, Guru Urmila Nagar, Vidhwan Trichur Ramachandran, Pandit Ramesh Misra, and Kala Ramnath, to name a few. Vishal has also expanded his cultural boundaries and collaborated with musicians from around the world. Some of his memorable works have been with the Ghanaian Guitarist Koo Nimo with whom he also appeared in WOMAD USA (a leading world dance and music festival started by Peter Gabriel). Starting his performance career at the age of eight in Patna, Vishal has performed around the globe including performances in many cities in India, Sweden, Germany, Denmark, Thailand and the United States. Vishal has also been awarded with the Ministry of Culture Scholarship from the Department of Culture.

Jason Everett (seven-string fretless bass)

Hi-Res Photo of Jason Everett (1.4 MB)
"A wonderful bassist to check out!" — BASS FRONTIERS MAGAZINE
Jason Everett (aka Mister E) is a multi-instrumentalist, composer, arranger and producer who plays a variety of stringed and percussive instruments including his custom Conklin seven-string fretless bass guitar. Jason attended Northern Arizona University on a full scholarship for music and started playing professional gigs at sixteen years old. He was originally inspired to explore world music after hearing Quiet Fire, the title track to Ancient Future's third album. This passion for world music evolved to avid listening to the works of Indian masters like Ali Akbar Khan, Ravi Shankar, and Zakir Hussain as well as fusion artists like John McLaughlin, Trilok Gurtu, Matthew Monfort, Pharaoh Sanders, and George Brooks. Jason started his own world fusion group in 1990 called Tal Maya and has since played with many well-known Indian, Arabic, jazz fusion and flamenco artists including Vishal Nagar, Andre Feriante, John Wubbenhorst, Overton Berry, Tarana, and Facing East.

Recent Recordings

Yearning for the Wind by Ancient Future

Yearning for the Wind by Ancient Future. Ancient-Future.Com AF-90352. Signed Audio/Video E-CD-R-$17.98: Buy Link. >audio.
Composed by scalloped fretboard guitar innovator Matthew Montfort, Yearning for the Wind is a poignant piece based on Rag Kalyan, an evening raga that corresponds to the Lydian mode. The composition in three movements also incorporates harmony and other guitaristic elements. A duet with Indian tabla virtuoso Vishal Nagar, Yearning for the Wind is set in matta tal, a nine beat rhythmic cycle. As a bridge between the slow and fast sections of the piece, Vishal Nagar performs an elegant tabla solo over the soft nine beat groove that slowly builds up to a vibrant rela (a fast tabla composition characterized by rapid drum rolls). Released in HD video and hi-res 96/24 audio, Yearning for the Wind was produced for the Archive of Future Ancient Recordings.
"For fans of world fusion music, it doesn't get much better than this." — Peter Thelen, Exposé

Video of 'Yearning for the Wind' with Matthew Montfort and Vishal Nagar

The Archive of Future Ancient Recordings by Ancient Future

Archive of Future Ancient Recordings by Ancient Future. (Ancient-Future.Com AF-2030). Recording Newsletter Package (128kbps MP3): $15. Buy Link. Download Supporter Package (320 kbps MP3): $25. Buy Link. Limited to 300 packages. Limited Edition CD Sponsor Package (CD quality .wav): $50. Buy Link. Limited to 200 packages. Honorary A & R Representative Package (Hi-res 24 bit .wav): $75. Buy Link. Limited to 100 packages.
During Ancient Future's 30th anniversary year, work started on the next project of the band: the Archive of Future Ancient Recordings (A.F.A.R.). To finance the project, a subscription system model is being employed to fund the recording through fans of world fusion music. The archive already has 70 minutes of music available right now to supporters, with more coming as money is raised for production.

Planet Passion by Ancient Future

Planet Passion by Ancient Future (Ancient-Future.Com AF 2010) $17.98: Buy Link . >audio.

Planet Passion by Ancient Future features nineteen top masters of of Indian, Nepalese, African, Cuban, Celtic, Arabic, Palestinian, Jewish, Indonesian, Chinese, Eastern European and American music traditions performing music on the theme of mythical stories of love.
"If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future’s re-issue of their seventh recording. At its best, Planet Passion strives to preserve the world’s vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future’s global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality." — Ryan Allen, LEO WEEKLY, Louisville, Kentucky

70 Word Radio Announcement for Royal Room Concert in Seattle

On Tuesday, April 28, at 7:30 PM, the pioneering world fusion music group Ancient Future will perform a program featuring scalloped fretboard guitar pioneer Matthew Montfort and tabla virtuoso Vishal Nagar accompanied by special guest Jason Everett on bass at The Royal Room, located at 5000 Rainier Ave. South in Seattle, Washington. For more information, call 206-906-9920 or visit theroyalroomseattle.com. Tickets are $15 in advance and $18 at the door.

69 Word Radio Announcement for Vashon Theatre Concert in Vashon

On Wednesday, April 29, at 8 PM, the pioneering world fusion music group Ancient Future will perform a program featuring scalloped fretboard guitar pioneer Matthew Montfort and tabla virtuoso Vishal Nagar accompanied by special guest Jason Everett on bass at Vashon Theatre, located at 17723 Vashon Highway SW, in Vashon, Washington. For more information, call 206-229-8491 or visit vashontheatre.com. Tickets are $15 in advance and $18 at the door.

69 Word Radio Announcement for Conway Muse Concert in Conway

On Thursday, April 30, at 7:30 PM, the pioneering world fusion music group Ancient Future will perform a program featuring scalloped fretboard guitar pioneer Matthew Montfort and tabla virtuoso Vishal Nagar accompanied by special guest Jason Everett on bass at The Conway Muse, located at 18444 Spruce St., in Conway, Washington. For more information, call 360-445-3000 or visit conwaymuse.com. Tickets are $15 in advance and $18 at the door.

140 Word Radio Announcement for Washington Concert Tour

The pioneering world music group Ancient Future will perform three concerts in the Western Washington Area featuring scalloped fretboard guitar pioneer Matthew Montfort and tabla virtuoso Vishal Nagar accompanied by special guest Jason Everett on bass. On Tuesday, April 28, at 7:30 PM, they will appear at The Royal Room, located at 5000 Rainier Ave. South in Seattle, Washington. For more information, call 206-906-9920 or visit theroyalroomseattle.com. On Wednesday, April 29, at 8 PM, they will appear at Vashon Theatre, located at 17723 Vashon Highway SW, in Vashon, Washington. For more information, call 206-229-8491 or visit vashontheatre.com. On Thursday, April 30, at 7:30 PM, they will appear at The Conway Muse, located at 18444 Spruce St., in Conway, Washington. For more information, call 360-445-3000 or visit conwaymuse.com. Tickets for each concert are $15 in advance and $18 at the door.

154 Word Radio Announcement for Pacific Northwest Concert Tour

The pioneering world music group Ancient Future will perform four concerts as part of a rare Pacific Northwest concert tour featuring scalloped fretboard guitar pioneer Matthew Montfort and tabla virtuoso Vishal Nagar accompanied by special guest Jason Everett on bass. On Tuesday, April 28, at 7:30 PM, they will appear at The Royal Room, located at 5000 Rainier Ave. South in Seattle, Washington. On Wednesday, April 29, at 8 PM, they will appear at Vashon Theatre, located at 17723 Vashon Highway SW, in Vashon, Washington. On Thursday, April 30, at 7:30 PM, they will appear at The Conway Muse, located at 18444 Spruce St., in Conway, Washington. On Saturday, May 2, at 5:30 PM, they will appear with free admission at the main stage of the Moscow Renaissance Fair, located at East City Park at Third and Monroe Streets in Moscow, Idaho. Tickets for the Washington concerts are $15 in advance and $18 at the door.

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Ancient Future 'World Without Walls' Reunion Concert to Stream Live on ConcertWindow.com October 16 at 8 PM PDT

Ancient Future Concert to Stream on ConcertWindow.com

'World Without Walls' Reunion Concert Streams Live October 16 at 8 PM PDT

In a first for Ancient Future, their upcoming 'World Without Walls' reunion concert at the Freight & Salvage will be available for viewing anywhere in the world as a live stream. This is a very rare chance for Ancient Future fans worldwide to view a live concert of the exact lineup of the pioneering world music group that performed on Ancient Future's influential World Without Walls and Asian Fusion recordings. They will perform their fourth reunion concert after a 15 year hiatus on Wednesday, October 16, at 8 PM at the Freight and Salvage, located at 2020 Addison Street in Berkeley.

Online tickets are available now for $5 at concertwindow.com/shows/ancient-future. The webshow will not be archived – it's offered only in real time starting at 8 PM Pacific Daylight Time on October 16. It is recommended to purchase a ticket in advance to sign up for an email reminder to tune in for the show at the correct time. ConcertWindow.com includes a show time count-down clock, or a site such as timezoneconverter.com can be used to calculate the local time the concert will begin streaming. For example, for music fans in Mumbai, India, the concert stream will begin at 8:30 AM on October 17.

Wednesday, October 16, 2013, 8 PM PDT
Streaming Live at ConcertWindow.com
Freight and Salvage
2020 Addison Street, Berkeley, CA 94704
Tix: $18.50 in advance, $20.50 at the door, or $5 for live stream at concertwindow.com/shows/ancient-future.
Info: Call 510-644-2020 or email info@freightandsalvage.org
Facebook Event.

'World Without Walls' Reunion Video of 'Indra's Net' Released in Celebration

Live Medley of 'Alap' and 'Indra's Net' Recorded at Yoshi's, San Francisco, 6/7/11


To celebrate Ancient Future's first worldwide live streaming video concert, a live video recording of a medley of Matthew Montfort's 'Alap' and Jim Hurley's 'Indra's Net' composition is being released, available for viewing at http://youtu.be/fCVQZLBS43c. Inspired by Hindu mythology, 'Indra's Net' was used as a soundtrack for a United Nations documentary film, Closing the Curtains of Death, about drift net fishing. This version was recorded at Yoshi's San Francisco on June 7, 2011, the day of their first performance together in 15 years. The video features Doug McKeehan on piano, Kash Killion on bass, Ian Dogole on percussion, Matthew Montfort on scalloped fretboard guitar, Jim Hurley on violin, and Patti Weiss on violin. 'Indra's Net' is the third video to be released from the reunion concert, joining '14 Steps' by Matthew Montfort (http://youtu.be/Ro0VAo7a9BY) and 'Turkish Taffy' by Doug McKeehan (http://youtu.be/e0YyuM7YTIo).

'World Without Walls' by Ancient Future on Capitol Records

Hi-Res Square Cover Art (3 MB)

Featuring Tabla Master Zakir Hussain

(Sona Gaia/MCA 163): CD - $24.98 (collectable signed copy): Buy Link. audio.
Press Audio Downloads: Lakshmi Rocks Me (Jim Hurley) MP3 (excerpt, 976k). audio.
14 Steps (Matthew Montfort) MP3 (excerpt, 1 MB). audio.

As its name suggests, World Without Walls depicts a musical world without borders. Originally released in 1990, it features performances by such world music luminaries as Zakir Hussain, the master of the North Indian tabla. World Without Walls was reissued digitally by Capitol Records in 2011 to honor Ancient Future's reunion concerts. In 2012, broadcasters worldwide voted the reissue as one of the top 5 world music releases of the year, 22 years after its initial release. The inviting melodies and ingenious use of ethnic textures make this recording one of Ancient Future's most accessible and broadly appealing releases ever.


Tabla master Zakir Hussain

Ancient Future Band Biography

Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.
In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music.

Quotes

World Without Walls Media Report (13.9 MB)

Below are just a few of the rave reviews for the reissue of World Without Walls:

"Bloody hell, get me some Alzheimer's drugs, will you? Ancient Future was on Narada's Sona Gaia subsidiary with a world beat album that was ahead of it's time and they were hanging out with Zappa's world beat buddies and I don't remember any of it? Each track has a different taste and a different texture making this a world beat travelogue that gleefully genre bends whatever the crew felt like with a merger of hillbilly and Indian music, the sound of an African traffic jam and more stuff that tastes good without the over riding vibe of being good for you. And it's not empty calories either. No wonder the group labored so long and so hard to get Capitol to reissue this, it's time. More bloody hell, new copies of this are going for over $200 on Amazon! How did I miss this? This is the world beat/jazz/pop album for people that shy away from things called world beat and jazz. Fun stuff throughout that still sounds fresh and in the moment today." - Chris Spector, MIDWEST RECORD (July 2011)

"21 years after the release of the already classic 'World Without Walls,' the original lineup of 'Ancient Future' reunited in a series of shows at Yoshi's in SF. On this occasion Capitol/EMI Records launched the first digital version of this influential album that marked not just the career of the band and its members but represents a reference of the World Music phenomenon. The original album released in 1990 features 10 songs that mix Oriental, Celtic and African inspired rhythms with modern jazzy beats, and subdued lyricism with melodic creativity. As the title of the album suggests there's no walls between musical influences but we can say that there's no wall between these virtuoso performers, whose joyful interplay delights the listener with a fusion of exotic and western harmonies that sound like chamber music. The three composers of the album (Jim Hurley on violin, Matthew Montfort guitars, Doug McKeehan piano, synthesizers) looked for inspiration to ancient lands of musical tradition, bringing the African, Balinese, Chinese, Indian, Middle eastern sounds into a modern setting that preserves their original savor. It is a surprising and enchanting synthesis of classical, modern and exotic crafted with the art of a jeweler. Talking drum, bells, chimes, dumbek, udu, bass drums, sleigh bells and tabla (played by Zakir Hussain on 3 songs) keep the rhythm alive and fresh, while organically blending into the compositions. An album that is also inviting to listen more from what this legendary band has produced over the years." - Stephen Bocioaca, WORLD JAZZ NEWS (July 2011)

"Ancient Future is a well known group inside the interesting world of the World Fusion Music (or World Music with fusions of many other styles). It is a group with a perfect fit of traditional instruments (flutes, percussion of different parts of the world, violin, etc) with others more associated with rock (bass and electric guitar, synthesizers...) and is made up of musicians who are capable of playing them all, which opens up many possibilities. The band was originally formed in 1978, with what at present is one of the most long-lived formations that has been dedicated exclusively to World Music, a genre (or perhaps an assembly of genres) that is very common at present, but that was not the case at end of the 70's. Ever since their beginnings they have mixed diverse forms of music, originating from Africa, Bali, the India, the Near East, South America, Europe and Asia in general. 'World Without Walls' was originally released in 1990, but is now being re-issued, principally for Internet distribution. The 10 themes they composed gravitate between African and Asian ethnic rhythms and melodies adorned with a lot of Hindu sounds and wrapped, as is the usual custom in Ancient Future, with sounds of multiple instruments that move the disk towards rock or jazz in certain moments (such as guitars, piano and synthesizers). The Hindu influence is especially present due to the contribution of Indian percussionist Zakir Hussain. Hussain is a musician of great prestige inside the musical circle of the members of Ancient Future, so his percussive embellishments fit perfectly with World Without Walls. Zakir Hussain participates in the pieces entitled 'Lakshmi Rocks Me,' '14 Steps,' and 'Gopi Song.' 'World Without Walls' has a very appropriate title. Music is, without doubt, an authentic universal language and Ancient Future shows it, by mixing in such a stunning manner so many styles that appear antagonistic, that nevertheless, they insert perfectly upon filtration through the group's sieve ." - Jorge Sergio Iglesias, Articmist.org, (Aug 2011)

"Sona Gaia and Narada were two of the more interesting World/New Age labels to erupt as the arts scene began diversifying with a seriousness that arose following the collapse of the 60s/70s ethos. Narada was a sketchy proposition at times, tending to the New Agier side of the house, whereas Sona always held a more serious attitude, and one of their best releases—this one, Ancient Future's World Without Walls—was never quite critiqued or marketed as it should have been: as a set of works in the tradition of Mahavishnu Orchestra, Between, Shakti, and other adventurous bands with almost inhuman chops. After all, the entire World gig pretty much rooted in the inestimably superlative Oregon, an ensemble that was and still is eons ahead of its time, talented beyond compare. Thus, those who came after should have been of-a-kind and acclaimed as such, right? Ah, but then the micky-marketeers entered, and what should've been a quantum leap became, well, Private Music, Steven Halpern, and Georgia Kelley, alas… although, in Shadowfax and others, the path was never quite erased. Well, now that everyone has sobered up and finds him- and herself able to ponder backwards, a few gems are being rescued. This re-release very much demonstrates that we missed quite a bit, even though Matthew Montfort continued his musical evolution and the band itself realigned for a dazzling concert last June (go to http://www.youtube.com/ancientfuture and click on 14 Steps for a marvelous example). Along with Montfort came Ian Dogole, Doug McKeehan, and Jim Hurley, masters of their instruments, and the quartet played and still plays as though it were twice that size, complicated narrative and rhythms filling each track. 'World Without Walls' is drenched with the most enticing and hypnotic of essences, a record that, despite the passage of 21 years since its debut, cannot age, a document upholding a spirit of creativity ahead of its time hundreds of years ago and remaining so in the hands of masters such as these. Thank goodness some things never change." - Mark S. Tucker, FOLK & ACOUSTIC MUSIC EXCHANGE (Sept 2011)

"When one listens to the melodies and musical textures of the fifth release 'World Without Walls' by the group Ancient Future, words like exotic, elegant and sublime immediately come to mind. Check out the group on YouTube and see if you are not drawn into their hypnotic enchantment. Ancient Future offers a musical vision of a 'world without walls' which is both appealing and accessible to the average listener and is highly recommended for anyone wishing to explore the amazing genre of World music." - Jack Montgomery, Amplifier, BOWLING GREEN DAILY NEWS (Sept 2011)

"It's hard to remember — with the plethora of World Fusion albums currently available — a time when this sort of music was the new kid on the block. This classic album by Ancient Future was a breath of fresh air at the time of its release in 1990. With inspired skill and a great respect for the other cultures from which they took much of their inspiration, the band blended western music with that of pretty much every other continent, weaving magic with their melodies and rhythms. And you know what? 'World Without Walls' sounds as fresh and invigorating today as it did all those years ago upon its initial release. There's not a single bad moment on the album." - Charles de Lint, SleepingHedgehog.com (Nov 2011)

"Not insipid easy-listening 'World Music', 'World Without Walls' is a remastered re-release of their 1990 classic, and doesn't sound dated at all. 'World Without Walls' is a fusion of musical stylings, scales and rhythms from around the world. The main influences I hear are Middle Eastern, Indian and South American, though there's also Jamaican 'Island Music' sounds, Balinese and probably dozens of other influences too subtle for me to notice. The instruments run the gamut of acoustic instruments like violins, piano, tuned percussion instruments and tablas (by renowned master Zakir Hussain) and also electric guitar synths and synthesizers. Leader Matthew Montfort plays (along with other guitars) a unique scalloped-fretboard acoustic guitar which allows for subtle pitch-bending and timbre-modulation effects. A careful listen will reveal that this is way beyond the usual health-food store 'World Music' offerings and is instead a high-energy, very experimental fusion of styles from around the world. Highly recommended." - Fred Trafton, GILBRALTAR ENCYCLOPEDIA OF PROGRESSIVE ROCK (Nov 2011)

Ancient Future Performs 'World Without Walls' Reunion at the Freight and Salvage, Berkeley, 10/16/13

Ancient Future World Without Walls Reunion Concert
Freight and Salvage, Berkeley, October 16, 2013

World Jazz featuring Matthew Montfort (scalloped fretboard guitar), Jim Hurley (violin), Doug McKeehan (keyboards, piano), Ian Dogole (percussion) and Kash Killion (bass)

Ancient Future Performs '14 Steps' at "World Without Walls" Reunion

Wednesday, October 16, 8 pm
Freight and Salvage
2020 Addison Street
Berkeley, CA 94704
Tix: $18.50 in advance, $20.50 at the door.
Info: Call 510-644-2020 or email info@freightandsalvage.org
Poster (703k pdf). Facebook Event.

The exact lineup of Ancient Future that performed on the band's influential World Without Walls and Asian Fusion recordings will reunite to perform at the Freight and Salvage in Berkeley. The reunion show features the original lineup of Matthew Montfort on scalloped fretboard guitar, Jim Hurley on violin, Doug McKeehan on keyboards, and Ian Dogole on percussion, plus Kash Killion on bass.
This lineup of Ancient Future played over a hundred concerts together from 1988 to 1995. In 2011, they reunited for the first time in 15 years to perform concerts at Todos Santos Plaza in Concord and Yoshi's in San Francisco. In honor of the reunion concerts, World Without Walls was released digitally by Capitol Records for the first time ever at major digital retailers such as iTunes. Twenty two years after its initial release in 1990, broadcasters worldwide voted the record as one of the top 5 world music releases of 2012. More concerts were planned, but bandleader Matthew Montfort suffered wrist and shoulder injuries, so performances were suspended until September 2012, when the band performed at the Frick Museum in Pittsburgh, Pennsylvania. This show at the Freight and Salvage will be their fourth reunion concert, and will be the first time that Ancient Future performs at the stellar new location of the Freight and Salvage, now one of the Bay Area's very best concert venues.

Ancient Future Performs 'Turkish Taffy' at "World Without Walls" Reunion

Band Bio

Ancient Future circa 1990. Hi-Res Photo by Irene Young (14.7" x 9.7" jpg, 7.2 MB)
"Ancient Future is a rare kind of band that might simultaneously aggravate purists, confound New Age dilettantes, seduce skeptics, and dazzle just about everybody else. Delicious compositions, intricate arrangements, crisp playing and impeccable production put these ambitious voyagers in a league of their own." -Derk Richardson, San Francisco Bay Guardian
Formed in 1978, Ancient Future is the first and longest running musical organization dedicated exclusively to the mission of creating world fusion music. The term was coined by bandleader Matthew Montfort to describe Ancient Future’s unusual blend of musical traditions from around the world. BILLBOARD calls the group "trendsetters" for their early contributions to the movement, which seeks to show how people from different cultures can grow by learning from each other. Ancient Future's uptempo virtuoso world fusion music is an exhilarating mix of jazz improvisation with the exciting rhythms, exotic sounds, and enchanting melodies of world music.
Ancient Future has released seven full length studio CDs selling over 150,000 units: Visions of a Peaceful Planet, Natural Rhythms, Quiet Fire, Dreamchaser, World Without Walls, Asian Fusion, and Planet Passion. Over one million legal mp3 files from three of these releases on Ancient-Future.Com Records have been distributed commercially. Ancient Future is also featured on samplers selling millions of units on labels such as Putumayo and Narada.
Ancient Future has headlined such venues as San Francisco's Great American Music Hall and Eugene's Hult Center for the Performing Arts, appeared at numerous jazz festivals such as the Sacramento River Jazz Festival, Cotati Jazz Festival, Valhalla Jazz Festival, and Sand Harbor, and shared bills with other leading jazz and contemporary music artists including Fourth World with Flora Purim and Airto, Tower of Power, Craig Chaquico, Acoustic Alchemy, and Ottmar Liebert. Ancient Future was the subject of numerous features in publications such as JAZZIZ and MÚSICA GLOBAL. A selection of these articles has been uploaded to the archives of Ancient Future history, providing an interesting perspective on a period of growth in the world music movement.
Over the years, Ancient Future has expanded its musical vision through collaborations with master musicians from more than two dozen countries, cultures, and musical traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large multinational music ensemble with many smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music. Through cross cultural exchange, Ancient Future has created a musical world without borders.

Matthew Montfort (band leader, scalloped fretboard guitar)

Matthew Montfort is the leader of the world fusion music ensemble Ancient Future. He is a pioneer of the scalloped fretboard guitar (an instrument combining qualities of the South Indian vina and the steel string guitar). Montfort spent three months in intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. In 2009, he released his first solo guitar recording, Seven Serenades for Scalloped Fretboard Guitar, which reached #8 on Zone Music Reporter's World Radio Chart. He is recognized as one of the world's 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com, a curated "best of" site, along with such luminaries as Michael Hedges, Leo Kottke, Chet Atkins, John Fahey, Merle Travis, John Renbourn, Tommy Emmanuel, Doc Watson, Pierre Bensusan, Alex De Grassi, and Peppino D'Agostino. The December 2009 Les Paul issue of Guitar Player Magazine includes a full page feature on Matthew Montfort with a corresponding GuitarPlayer.Com video and lesson entitled “The Music of Jimi Hendrix Applied to Indian Raga.” He has performed concerts world wide, including at the Festival Internacional de la Guitarra on the golden coast of Spain near Barcelona and the Mumbai Festival at the Gateway of India in Bombay. He has performed live on national radio and TV shows such as the Rachel Maddow Show on MSNBC. Montfort wrote the book Ancient Traditions - Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.

Jim Hurley (violin)

Jim Hurley, multi-instrumental performer, composer and educator, began playing violin in the Livermore public schools, and later explored rock guitar and bass, jazz and world music, improvisation and composition. Influenced profoundly by South Indian violinist L. Shankar, he incorporates styles from bebop to zydeco, European classical to Zairean soukous. He studied violin with Dr. Madeline Schatz, protege of Jascha Heifetz and Josef Gingold, at Humboldt State University, where he earned his B.A. in Music, and attended master classes with Rostislav Dubinsky, Gabor and Peter Rejto, and Kathleen Winkler. Jim's professional credits include performances and recordings with Queen Ida's Grammy-winning Bon Temps Zydeco Band, Deep Purple guitarist Ritchie Blackmore, all-China zheng virtuoso Zhao Hui, the Trans-Siberian Orchestra (with Jon Anderson from Yes), Kenneth Nash (Weather Report, Herbie Hancock, Dizzie Gillespie alumnus), Dan Hicks, Al Stewart, Josh Groban, Smokey Robinson, Stanley Jordan, the Waybacks, Tempest, and many other artists. TV credits include appearances on NBC's Saturday Night Live and CNN's Worldbeat and Showbiz Today. Radio credits include appearances on A Prairie Home Companion and West Coast Weekend, and airplay of Jim's original music on over 300 stations. Notable live performances include the New Orleans and Monterey jazz festivals, the Philadelphia, Winnipeg and Strawberry folk music festivals, a few stadiums, a dozen or so european castles, and audiences in 15 countries.

Doug McKeehan (keys)

Doug McKeehan started his piano studies at age five, and began his first professional work at the age of twelve. He studied music at the Oberlin Conservatory, Kent State University, and the University of Otago (New Zealand). He has toured Europe twice and spent considerable time in India studying with notable Indian music teachers such as Pandit Ram Narayan, Ustad Kursheed Khan and Pandit A.G. Bhattacharya. He has composed original music for stage and T.V. productions in San Francisco and Los Angeles and has been musical director of two original musical comedy productions. In 2008 he was commissioned to compose and perform live music for the Diablo Ballet's production Jazz Fever. He cofounded Air Craft with violinist Bruce Bowers, which released a highly acclaimed new age/jazz album, So Near, So Far. He is a first call jazz pianist in the San Francisco Bay Area.

Ian Dogole (percussion)

For over 30 years, Ian Dogole has articulated his vision of global fusion music as a multipercussionist, bandleader, educator, recording artist, composer and producer. He has released seven records and a DVD as a leader – Along the Route, Dangerous Ground, Ionospheres, Night Harvest, Convergence, Crossroads, Outside the Box – Jazz Journeys & Worlds Beyond and Ian Dogole & Hemispheres In Concert (DVD). Ian has recorded and performed with artists such as Hamza el Din, Tito La Rosa, Richie Cole, Paul McCandless and Alex de Grassi. He performs on a wide variety of percussion instruments, including udu, cajon, hang, African talking drum, kalimbas, cymbals and dumbek. Ian has received numerous grants, including a Jazz Performance Fellowship from the National Endowment for the Arts, two recent grants from the San Francisco Friends of Chamber Music (SFFCM) to present musical tribute concerts in honor of jazz legends Woody Shaw and Wayne Shorter, and multiple grants from the Marin Arts Council. Ian is very active as a music educator – having presented assemblies to more than 60,000 elementary school students in his four seasons with the San Francisco Symphony’s Adventures in Music program and he has just completed his third season presenting a global world music appreciation series to students at Redwood High School in Larkspur, CA. Ian has also offered his music education programs through numerous nonprofit organizations, including Bread & Roses, Young Imaginations, Youth in Arts and Young Audiences of the Bay Area.

Kash Killion (bass)

Kash Killion has played extensively with such icons as Cecil Taylor, John Zorn, Sun Ra, Butch Morris and George Lewis. His interest in avant garde jazz was ignited by Sun Ra in 1978, and further heightened by meeting and playing with Pharoah Sanders. Playing cello, bass and assorted Middle Eastern stringed instruments such as, sarangi and esraj, Kash's concert history includes performances with Donald Byrd, George Cables, Billy Higgins, Reggie Workman as well as the Sun Ra Arkestra.

Recordings Featuring World Without Walls Lineup

World Without Walls by Ancient Future

(Sona Gaia/MCA 163): CD - $24.98 (collectable signed copy): Buy Link. >audio.
Press Audio Downloads: Lakshmi Rocks Me (Jim Hurley) MP3 (excerpt, 976k). >audio.
14 Steps (Matthew Montfort) MP3 (excerpt, 1 MB). >audio.
As its name suggests, World Without Walls depicts a musical world without borders. Originally released in 1990, it features performances by such world music luminaries as Zakir Hussain, the master of the North Indian tabla. World Without Walls was reissued digitally by Capitol Records in 2011 to honor Ancient Future's reunion concerts. In 2012, broadcasters worldwide voted the reissue as one of the top 5 world music releases of the year. The inviting melodies and ingenious use of ethnic textures make this recording one of Ancient Future's most accessible and broadly appealing releases ever.
"World Without Walls speaks to a cultural enrichment, a melding of world culture with Ancient Future's own lush sense of melody and rhythmic drive." - John Diliberto, JAZZIZ

Asian Fusion by Ancient Future

(Narada Equinox ND-63023): CD - $24.98 (collectable signed copy): Buy Link. >audio.
Press Audio Download: Mezgoof (Ian Dogole) MP3 (excerpt, 800k). >audio
Asian Fusion, the second recording featuring this band lineup, is a musical travelogue spanning the vast geographic and cultural expanse of Asia showcasing some of the top performers in the Asian music field, including Zhao Hui, China's preeminent master of the gu zheng (Chinese zither) and Bui Huu Nhut, a leading performer of the Vietnamese dan bau (a one-string Vietnamese instrument with an indigenous version of a whammy bar). Asian Fusion received much critical acclaim. It made the Tower Pulse! Top 10 Best Contemporary Instrumental Releases of 1993 List (#4) and was Guitar Player magazine's "Pick" for April 1994.
"This compilation of 12 songs influenced by the Far East has all the sweeping impact of epic movies such as 'The Last Emperor.'" - CHICAGO TRIBUNE

Planet Passion by Ancient Future

(Ancient-Future.Com AF 2010): CD - $17.98: Buy Link. >audio.
Press Audio Download: Socha Socha (Khan/Montfort) MP3 (short version, 3.6 MB). >audio
The classic lineup of Ancient Future performing these special reunion concerts also was featured on one cut on the Planet Passion CD: the song Socha Socha on which they accompanied sitar master Pandit Habib Khan. Originally released in 2002, it was remastered and re-issued in 2009 to commemorate the 30th anniversary of the first Ancient Future concert.
"If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future’s re-issue of their seventh recording. At its best, Planet Passion strives to preserve the world's vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future's global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality." - Ryan Allen, LEO WEEKLY, Louisville, Kentucky