First Video from Reunion Tour Supporting 'World Without Walls' by Ancient Future on Capitol Records

Live Version of '14 Steps' from Ancient Future's 'World Without Walls' Reunion Concert at Yoshi's SF, 6/7/11

http://www.youtube.com/watch?v=Ro0VAo7a9BY

July 26, 2011, Radio Add Date Announced for the Digital Release of this Classic 1990 Recording by Ancient Future featuring Tabla Master Zakir Hussain

Radio Can Download Broadcast Quality Tracks

http://airplaydirect.com/music/AncientFuture

Hi-Res Square Cover Art (3 MB)

On June 7, 2011, the exact lineup of Ancient Future that performed on the band's influential World Without Walls and Asian Fusion recordings reunited to perform for the first time in over 15 years at Yoshi's San Francisco and other venues. That same day to celebrate the reunion, Capitol/EMI Records released the first ever digital version of Ancient Future's classic 1990 World Without Walls recording. It is available now for download purchase at all major digital retailers such as iTunes and Amazon.com MP3 Store.

As its name suggests, World Without Walls by Ancient Future depicts a musical world without borders. This classic 1990 recording features Ancient Future members Matthew Montfort (bandleader, guitars), Jim Hurley (violin), Doug McKeehan (keys), and Ian Dogole (percussion), plus special guest performances by world music legend and tabla master Zakir Hussain. The inviting melodies and ingenious use of ethnic textures make World Without Walls one of Ancient Future's most accessible and broadly appealing releases ever.

The first video for the release is a live version of Montfort's '14 Steps,' a jazzy romp with a funky fourteen beat Indian groove. It was recorded on June 7, 2011, at Ancient Future's 'World Without Walls' Reunion Concert at Yoshi's San Francisco, and is available for viewing at http://www.youtube.com/watch?v=Ro0VAo7a9BY.

Digital promo including audio is now available to the media upon request. Reviewers should contact Ancient-Future.Com Records at info@ancient-future.com. Radio programmers are encouraged to visit http://airplaydirect.com/music/AncientFuture for broadcast files. The radio add date is July 26, 2011, for reports to the CMJ New World and Zone Music Reporter charts.

Tabla master Zakir Hussain

Ancient Future Band Biography

Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.

In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music

Digital Release Specifications

World Without Walls 1 Sheet (864 k, streaming audio)

Original Release Date: June 7, 2011

Label: Capitol Catalog

UPC: 5099908369956

Radio Add Date: July 26, 2011

Radio Promo Service: http://airplaydirect.com/music/AncientFuture

Reviewer Promo Service: info@ancient-future.com

Copyright: © 2011 Narada Productions, Inc

Genres: International/World/Jazz/General

Total Length: 44:26

Credits: Matthew Montfort (scalloped fretboard guitar, steel string guitars, electric guitars, classical guitar, guitar synthesizers, mandolin), Jim Hurley (acoustic violins, Zeta electric violin, steel string guitar), Doug McKeehan (piano, synthesizers), and Ian Dogole (dumbek, talking drum, congas, bongos, udu, shaker, bass drums, cymbal, sleigh bells, kendang, kajar, ceng-ceng, bells, chimes), Zakir Hussain (tabla, kanjira), Gary Brown (fretless electric bass), Jeff Narell (steel drums), Vince Delgado (tambourine), Jack Dorsey (drum set), Bill Douglass (acoustic bass, Chinese flutes), and Bruce Kaphan (recording engineer, shaker).

Track List: (>audio. Listen to songs and excerpts.)

1. Lakshmi Rocks Me (Jim Hurley. 2:52). Sample MP3 (excerpt) (992K). (1:01).


2. Dance of the Rain Forest (Matthew Montfort. 4:45).


3. April Air (Doug McKeehan. 3:57).


4. 14 Steps (Matthew Montfort. 4:30). Sample MP3 (excerpt) (1MB). (1:07)


5. End of the Beginning (Matthew Montfort. 5:15).


6. Turkish Taffy (Doug McKeehan. 4:55).


7. Alap (Matthew Montfort. 1:10).


8. Indra's Net (Jim Hurley. 4:53).


9. Nyo Nyo Gde (Matthew Montfort. 4:00).


10. Gopi Song (Doug McKeehan. 7:46).

Quotes

World Without Walls Media Report (6.4 MB)

"World Without Walls speaks to a cultural enrichment...a melding of world culture with Ancient Future's own lush sense of melody and rhythmic drive." - John Diliberto, Jazziz (Nov 91)

"Ancient Future masterfully blends cultural music with contemporary rock and the result is superb. For those who have a taste for exquisite instrumental, you will not be disappointed with this addition to your library. Ancient Future has a great following and for just cause. It is clear that Matthew Montfort's intense studies of cultural music shines and his artistic blend of old world instruments and modern technology shatters esoteric stereotypes. Ancient Future's music is as intense as history itself, yet none less than simple pleasure to play." - Donald A. Thomas, Jr., Revolutionary Concepts (December 90)

"The matrix of panpipes in 'Dance of the Rain Forest' is what would've happened if Steve Reich were Quechua, and the dumbek in 'Turkish Taffy' is fiery enough to induce spontaneous belly dancing. Extra credit to Zakir Hussain, whose tabla playing lends legitimacy to the Indian airs. Basically this is Shadowfax with teeth." - Michael Bloom, Boston Rocks (April 91)

"Long before the phrase 'world music' became ubiquitous, Matthew Montfort and his group Ancient Future were boldly melding Asian and western music. Over the years they've carved out a respectable niche for themselves in the netherworld of alternative music; 'World Without Walls' just might kick them into the mainstream. There are enough ear treats to please just about anyone. From the soaring 'Lakshmi Rocks Me' to the beautiful scalloped fretboard guitar work on 'Alap', and the exquisite 'Nyo Nyo Gde,' 'World Without Walls' is well worth hearing." - Mark Nelson, MIDI Guitar (Spring 91)

"Ancient Future makes ancient musical traditions of the world accessible to western ears. Ancient Future has found a winning mixture of sound to please the popular listener. World Without Walls envisions a civilization that values and respects all cultures. The wealth of World culture has yet to be uncovered. World without Walls is a great step in this direction. It makes me think of Ancient Persia, Middle Eastern cultures, Islamic Art, The Rubaiyat of Omar Khayyam." - New World (April 91)

"Ancient Future, one of the first proponents of world music, is back. Each piece involves a complex mixture of musical traditions, including jazz, electronic, and exotic instruments. You will hear influences from many countries, all creating the texture of a musical world without walls." - Carol Wright, NAPRA Trade Journal (Spring 91)

"This recording breaks down many walls. It's a bridge from ancient musical traditions to modern music culture, from folk tradition to modern customs. The scalloped fret guitar, sitar, congas, dumbek, tabla, African talking drum, and other exotic instruments are combined with the synthesizer in a way that expands contemporary composition. The music flows in driving rhythms, fast, and fashioned after popular patterns. But it has the soul of Indian and Middle Eastern music. Lakshmi Rocks Me soars with acoustic violin backed by Zakir Hussain's renowned tabla playing. Dance of the Rainforest begins with a short gamelan prelude. Then it sways into a world fusion waltz. It's a playful metaphor celebrating the rainforest. Ancient Future takes great inspiration from Classical Indian music and transforms it somehow into the energy of world fusion. This music wakes you up. It's refreshingly new without a hint of nostalgia." - Kathleen Lawson, Well Being Journal (April/May 91)

"Worldbeatnik Alert: Ancient Future have a jazzy side that keeps things interesting, sorta like a more energetic version of Oregon. Their latest cross-cultural exploration, WORLD WITHOUT WALLS mixes Celtic, Arabic, and Asian modes to create a soundtrack for your next mind vacation, to plagiarize a phrase." - J. Poet, Ward Music Monthly (June 91)

"This is a wonderful collection of original tunes that reflect the influence of many cultures, most notably that of India, as well as the nuances of the Orient. The artists are a seasoned group of professional musicians who produce a seemingly effortless fusion of Eastern melodies and meters with Western instrumentation and a jazzy groove. The song Turkish Taffy is a great example; the melody line definitely inspires visions of old Istanbul, while the tune builds up a swinging groove that climaxes in a fiery electric guitar solo at the end that would please fans of rock guitarist Santana. Virtuoso violin playing by band member (and composer) Jim Hurley, Zakir Hussain on tabla and assorted Indian percussion instruments give the tunes an authenticity and driving force. A delightful album." - Heartsong Review, Spirit of Change (Winter 91-92)

"Ancient Future was one of the first groups to explore the idea of World Fusion music. Their most recent effort, the aptly-titled 'World Without Walls,' showcases Montfort's scalloped, steel-string & classical guitars with spirited support throughout the ten pieces. There is the lyrical piano/steel drum interplay of 'April Air,' the acoustic sensitivity of '14 Steps', the fluid electric violin and busy bass on 'Dance of the Rain Forest,' and the dazzling sound of Zakir Hussain's tabla playing which adds zest to the lively opener 'Lakshmi Rocks Me' and two other selections." - Lloyd Barde, Common Ground (Spring 93)

"World Without Walls opens with 'Lakshmi Rocks Me.' Composer Jim Hurley's violin leads before a very fast, high tabla played by master drummer Zakir Hussain. Matthew Montfort plays a sweet, Southern electric guitar on 'Dance of the Rainforest.' The watery feeling winds out to an Allman Brothers-like easy landing. Montfort joins Hussain on '14 Steps' with pensive ruminations on his lovely scalloped fretboard guitar. With Hurley on acoustic violin, they play a dynamic, perfectly entrained tabla/guitar/violin raga-jam, linked note for note until the violin takes off wailing against the backdrop of Bill Douglass' soothing acoustic bass line. On 'Indra's Net' Doug McKeehan's gentle synthesizer and piano paint stars across the blackness of the acoustic bass, while composer Hurley's violin streaks the sky." - Diane Darling, Green Egg (Spring, 94)

Capitol Records Schedules Digital Release of World Without Walls by Ancient Future to Celebrate Reunion Concert June 7 at Yoshi's San Francisco

First Digital Release of Classic 1990 Recording by Ancient Future featuring Tabla Master Zakir Hussain

Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

On June 7, 2011, the exact lineup of Ancient Future that performed on the band's influential World Without Walls and Asian Fusion recordings will reunite to perform for the first time in over 15 years at Yoshi's San Francisco and other venues. To celebrate the reunion concerts, Ancient Future's classic 1990 World Without Walls recording is scheduled to be released by Capitol/EMI Records for the first time ever at major digital retailers such as iTunes and Amazon.com MP3 Store on June 7, 2011.

As its name suggests, World Without Walls by Ancient Future depicts a musical world without borders. This classic 1990 recording features Ancient Future members Matthew Montfort (scalloped fretboard guitar, steel string guitars, electric guitars, classical guitar, guitar synthesizers, mandolin), Jim Hurley (acoustic violins, Zeta electric violin, steel string guitar), Doug McKeehan (piano, synthesizers), and Ian Dogole (dumbek, talking drum, congas, bongos, udu, shaker, bass drums, cymbal, sleigh bells, kendang, kajar, ceng-ceng, bells, chimes).

The record also features guest performances by world music legend and tabla master Zakir Hussain (tabla, kanjira), Gary Brown (fretless electric bass), Jeff Narell (steel drums), Vince Delgado (tambourine), Jack Dorsey (drum set), Bill Douglass (acoustic bass, Chinese flutes), and Bruce Kaphan (recording engineer, shaker).

The inviting melodies and ingenious use of ethnic textures make World Without Walls one of Ancient Future's most accessible and broadly appealing releases ever.

Tabla master Zakir Hussain

Ancient Future Biography

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.

In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music.

Digital Release Specifications

• Original Release Date: June 7, 2011


• Label: Capitol


• Copyright: © 2011 Narada Productions, Inc


• Genres: International/World/Jazz/General


• Total Length: 44:26


• Track List: (>audio. Play all songs and excerpts.)
  
  
  
  1. Lakshmi Rocks Me (Jim Hurley. 2:52). Sample MP3 (excerpt) (992K). >audio (1:01).
  
  
  2. Dance of the Rain Forest (Matthew Montfort. 4:45).
  
  
  3. April Air (Doug McKeehan. 3:57).
  
  
  4. 14 Steps (Matthew Montfort. 4:30). Sample MP3 (excerpt) (1MB). >audio (1:07).
  
  
  5. End of the Beginning (Matthew Montfort. 5:15).
  
  
  6. Turkish Taffy (Doug McKeehan. 4:55).
  
  
  7. Alap (Matthew Montfort. 1:10).
  
  
  8. Indra's Net (Jim Hurley. 4:53).
  
  
  9. Nyo Nyo Gde (Matthew Montfort. 4:00).
  
  
  10. Gopi Song (Doug McKeehan. 7:46).
  
  
  
  

Quotes

World Without Walls Media Report (6.4 MB)

"World Without Walls speaks to a cultural enrichment...a melding of world culture with Ancient Future's own lush sense of melody and rhythmic drive." – John Diliberto, Jazziz (Nov 91)

"Ancient Future masterfully blends cultural music with contemporary rock and the result is superb. For those who have a taste for exquisite instrumental, you will not be disappointed with this addition to your library. Ancient Future has a great following and for just cause. It is clear that Matthew Montfort's intense studies of cultural music shines and his artistic blend of old world instruments and modern technology shatters esoteric stereotypes. Ancient Future's music is as intense as history itself, yet none less than simple pleasure to play." – Donald A. Thomas, Jr., Revolutionary Concepts (December 90)

"The matrix of panpipes in 'Dance of the Rain Forest' is what would've happened if Steve Reich were Quechua, and the dumbek in 'Turkish Taffy' is fiery enough to induce spontaneous belly dancing. Extra credit to Zakir Hussain, whose tabla playing lends legitimacy to the Indian airs. Basically this is Shadowfax with teeth." – Michael Bloom, Boston Rocks (April 91)

"Long before the phrase 'world music' became ubiquitous, Matthew Montfort and his group Ancient Future were boldly melding Asian and western music. Over the years they've carved out a respectable niche for themselves in the netherworld of alternative music; 'World Without Walls' just might kick them into the mainstream. There are enough ear treats to please just about anyone. From the soaring 'Lakshmi Rocks Me' to the beautiful scalloped fretboard guitar work on 'Alap', and the exquisite 'Nyo Nyo Gde,' 'World Without Walls' is well worth hearing." – Mark Nelson, MIDI Guitar (Spring 91)

"Ancient Future makes ancient musical traditions of the world accessible to western ears. Ancient Future has found a winning mixture of sound to please the popular listener. World Without Walls envisions a civilization that values and respects all cultures. The wealth of World culture has yet to be uncovered. World without Walls is a great step in this direction. It makes me think of Ancient Persia, Middle Eastern cultures, Islamic Art, The Rubaiyat of Omar Khayyam." – Kathleen Lawson, New World (April 91)

"In this recent release Ancient Future has manifested in musical form the ideal expressed by the title of the album. Though it's is a mostly upbeat album, there are a few contemplative pieces that lend a nice balance. Gopi Song is a lush and beautifully tender ballad. A delightful album that can be listened to in many different contexts. It would be great for driving, dancing or to be carried away on an inner journey to places of joyful splendor." – Geoffrey Mays, Heartsong Review (Spring/Summer 91)

"Ancient Future, one of the first proponents of world music, is back. Each piece involves a complex mixture of musical traditions, including jazz, electronic, and exotic instruments. You will hear influences from many countries, all creating the texture of a musical world without walls. 'Music is meant to break down walls between people,' said the group's founder Matthew Montfort. 'The more people listen, the more tolerant they will be of each other.'" – Carol Wright, NAPRA Trade Journal (Spring 91)

"This recording breaks down many walls. It's a bridge from ancient musical traditions to modern music culture, from folk tradition to modern customs. The scalloped fret guitar, sitar, congas, dumbek, tabla, African talking drum, and other exotic instruments are combined with the synthesizer in a way that expands contemporary composition. The music flows in driving rhythms, fast, and fashioned after popular patterns. But it has the soul of Indian and Middle Eastern music. Lakshmi Rocks Me soars with acoustic violin backed by Zakir Hussain's renowned tabla playing. Dance of the Rainforest begins with a short gamelan prelude. Then it sways into a world fusion waltz. It's a playful metaphor celebrating the rainforest. Ancient Future takes great inspiration from Classical Indian music and transforms it somehow into the energy of world fusion. This music wakes you up. It's refreshingly new without a hint of nostalgia." – Kathleen Lawson, Well Being Journal (April/May 91)

"Worldbeatnik Alert: Ancient Future have a jazzy side that keeps things interesting, sorta like a more energetic version of Oregon. Their latest cross-cultural exploration, WORLD WITHOUT WALLS mixes Celtic, Arabic, and Asian modes to create a soundtrack for your next mind vacation, to plagiarize a phrase." – J. Poet, Ward Music Monthly (June 91)

"This is a wonderful collection of original tunes that reflect the influence of many cultures, most notably that of India, as well as the nuances of the Orient. The artists are a seasoned group of professional musicians who produce a seemingly effortless fusion of Eastern melodies and meters with Western instrumentation and a jazzy groove. The song Turkish Taffy is a great example; the melody line definitely inspires visions of old Istanbul, while the tune builds up a swinging groove that climaxes in a fiery electric guitar solo at the end that would please fans of rock guitarist Santana. Virtuoso violin playing by band member (and composer) Jim Hurley, Zakir Hussain on tabla and assorted Indian percussion instruments give the tunes an authenticity and driving force. A delightful album." – Heartsong Review, Spirit of Change (Winter 91-92)

"Ancient Future was one of the first groups to explore the idea of World Fusion music. Their most recent effort, the aptly-titled 'World Without Walls,' showcases Montfort's scalloped, steel-string & classical guitars with spirited support throughout the ten pieces. There is the lyrical piano/steel drum interplay of 'April Air,' the acoustic sensitivity of '14 Steps', the fluid electric violin and busy bass on 'Dance of the Rain Forest,' and the dazzling sound of Zakir Hussain's tabla playing which adds zest to the lively opener 'Lakshmi Rocks Me' and two other selections." – Lloyd Barde, Common Ground (Spring 1993)

"World Without Walls opens with 'Lakshmi Rocks Me.' Composer Jim Hurley's violin leads before a very fast, high tabla played by master drummer Zakir Hussain. Matthew Montfort plays a sweet, Southern electric guitar on 'Dance of the Rainforest.' The watery feeling winds out to an Allman Brothers-like easy landing. Montfort joins Hussain on '14 Steps' with pensive ruminations on his lovely scalloped fretboard guitar. With Hurley on acoustic violin, they play a dynamic, perfectly entrained tabla/guitar/violin raga-jam, linked note for note until the violin takes off wailing against the backdrop of Bill Douglass' soothing acoustic bass line. On 'Indra's Net' Doug McKeehan's gentle synthesizer and piano paint stars across the blackness of the acoustic bass, while composer Hurley's violin streaks the sky." – Diane Darling, Music to Make Love By, Green Egg (Spring, 94)

PRESS RELEASE: Ancient Future Performs at Henry Miller Library in Big Sur, 3/20/11

Ancient Future Performs at The Henry Miller Library in Big Sur 3/20/11

Ancient Future Duet In Concert

Featuring Matthew Montfort (scalloped fretboard and fretless guitars) and Mariah Parker (santur)

March 20, 2010, 7 pm

The Henry Miller Library

Highway 1

Big Sur , CA 93920

Venue Website: www.henrymiller.org

Tix Tel: 831-667-2574

Tix: $20 adv/$25 door. Seating is limited to 60. Advance purchase recommended at www.henrymiller.org/events.html.

Poster (400k): www.ancient-future.com/pdf/3_20_11_henrymiller.pdf

Facebook Event.

Ancient Future In Concert

Ancient Future Duet Hi-Res Photo by Jialiang Len Gao (3.9 MB):

http://www.ancient-future.com/images/afmariahmatt300dpi10.4x6.9.jpg

Matthew Montfort - scalloped fretboard and fretless guitars

Mariah Parker - santur (hammered dulcimer)

This duet version of the pioneering world fusion music group Ancient Future features scalloped fretboard guitarist Matthew Montfort and santurist Mariah Parker. After leading their March 18 weekend world music workshop retreat at Esalen, they will perform this rare California Central Coast concert at the Henry Miller Library. The concert features music from Ancient Future's broad repertoire, including three current releases on Ancient-Future.Com Records celebrating 30 years of world fusion music: Planet Passion by Ancient Future (remastered to celebrate the 30th anniversary of the band), Seven Serenades for Scalloped Fretboard Guitar by Ancient Future leader Matthew Montfort, and Sangria by Mariah Parker.

Duet Performance by Matthew Montfort (scalloped fretboard guitar) and Mariah Parker (santur)

Youtube Video Duet:

http://www.youtube.com/watch?v=iGIliJuyfvs

www.ancient-future.com

Ancient Future is the first and longest running musical organization dedicated exclusively to the mission of creating world fusion music. The term was coined by bandleader Matthew Montfort in 1978 to describe Ancient Future’s unusual blend of musical traditions from around the world. BILLBOARD calls the group “trendsetters” for their early contributions to the movement, which seeks to show how people from different cultures can grow by learning from each other. There are more than 12 versions of the band, each with different musicians from different cultures in order to fully explore the varieties of world fusion music. The Ancient Future duet concentrates on Arabic, Indian, and Spanish musical themes, and has performed in Spain at festivals in Sant Carles de la Ràpita, Botarell, Torredembarra, and Salou.

85 Word Radio Announcement

On Sunday, March 20, at 7 pm, Ancient Future will perform at Henry Miller Library, on Highway 1 in Big Sur, California. The concert features a duet version of this pioneering world fusion music group. Scalloped fretboard guitarist Matthew Montfort and santurist Mariah Parker will perform music from Ancient Future's broad repertoire including three current releases on Ancient-Future.Com Records celebrating 30 years of world fusion music. For more information, call 831-667-2574 or visit www.henrymiller.org. Tickets are $20 in advance and $25 at the door.

Planet Passion by Ancient Future

Planet Passion by Ancient Future (Ancient-Future.Com AF 2010) $17.98: Buy Link . (>audio.)



Hi-Res CD Cover Art of Planet Passion (1.6 MB):

http://www.ancient-future.com/images/planetpassioncvr300dpi.jpg

One Sheet with Streaming Audio for Planet Passion:

http://www.ancient-future.com/pdf/planetpassion_1sheet_dig.pdf

Liner Notes for Planet Passion:

http://www.ancient-future.com/pdf/planet_passion_digital_liner_notes.pdf

Planet Passion by Ancient Future has been re-issued with 64-Bit Tuned Harmonic Mastering to celebrate the 30th anniversary of the band. The seventh Ancient Future recording features nineteen top masters of of Indian, Nepalese, African, Cuban, Celtic, Arabic, Palestinian, Jewish, Indonesian, Chinese, Eastern European and American music traditions performing music on the theme of mythical stories of love.

“If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future’s re-issue of their seventh recording. Featuring instrumentation from Africa, Asia, South America and the Middle East, Planet Passion is a mythical story of love, flirtation, seduction, courtship, marriage and longing. Manose Singh’s bansuri flute and Matthew Montfort’s scalloped fretboard work stand out in this eclectic, visionary global village, where each track features its own unique set of players. At its best, Planet Passion strives to preserve the world’s vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future’s global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality.” — Ryan Allen, LEO WEEKLY, Louisville, Kentucky

Matthew Montfort (scalloped fretboard guitar, Godin Glissentar)

Matthew Montfort Hi-Res Photo by Julie Marten (2 MB):

http://www.ancient-future.com/images/matthewmontfort600.jpg

5 Page Guitar Player Magazine Feature and Lesson:

http://www.ancient-future.com/pdf/MatthewMontfortGuitarPlayerMag.pdf

www.matthewmontfort.com

The leader of the world music group Ancient Future, Matthew Montfort, released his first solo recording, Seven Serenades for Scalloped Fretboard Guitar, in 2009. He is a pioneer among guitarists who have had their fretboards scalloped in order to play various forms of world music that require intricate note-bending ornaments while still being able to play chords. Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. The December 2009 Les Paul issue of Guitar Player Magazine includes a full page feature on Matthew Montfort with a corresponding GuitarPlayer.Com video and lesson entitled “The Music of Jimi Hendrix Applied to Indian Raga.” He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book “Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India,” which has been used by many musicians to improve their rhythm skills.

Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort

Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort. (Ancient-Future.Com AF 2008). $17.98: Buy Link . (>audio.)

Hi-Res CD Cover Art of Seven Serenades (912 k):

http://www.ancient-future.com/images/serenade300dpi.jpg

One Sheet for Seven Serenades with Streaming Audio:

http://www.ancient-future.com/pdf/serenades_1sheet_dig.pdf

Liner Notes for Seven Serenades:

http://www.ancient-future.com/pdf/serenades_digital_liner_notes.pdf

Seven Serenades for Scalloped Fretboard Guitar is the debut solo recording by Ancient Future leader Matthew Montfort. The recording showcases his pioneering work on the scalloped fretboard guitar, a special modified instrument able to produce ornaments more characteristic of the sitar. This first solo effort features his improvisational music.

“Because Montfort’s guitar has a scalloped fretboard, his fingers touch only the strings, enabling him to produce ornaments more characteristic of the sitar. This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition.” — Teed Rockwell, INDIA CURRENTS, March 2009

“The mind-bending playing abilities of guitar virtuoso, Matthew Montfort, stems from the note-bending capabilities of the scalloped fretboard guitar. This produces a different sound than the more familiar guitar, because the fretboard is carved out, so the fingers only touch the strings. Musically, the songs verge on a flamenco-Indian-jazz continuum. This is partly due to Matthew's playing technique and the sitar-like sounds of his guitar.” — Matthew Forss, INSIDE WORLD MUSIC

Mariah Parker (santur)

Mariah Parker with Santur Hi-Res Photo by Ross Pelton (1.6 MB):

http://www.ancient-future.com/images/mariah_santur_300dpi5x4.jpg

www.mariahparkermusic.com

Mariah Parker is a composer and multi-instrumentalist whose main instruments are santur and piano. Her first instrument was the piano which she began playing at age 5. Later in music school, she fell in love with the sound of the santur when she heard it drifting across campus. The transition was a natural one given that the santur, along with its Western offspring, the hammered dulcimer, is the ancestor of the piano. The strings of the santur are played directly by the delicate hammers, creating a beautiful shimmering sound. The sound of the piano is also created by hammered strings, but mechanically triggered by the fingers striking the keys.

While completing her degree in music at UC Santa Cruz, she worked with ethnomusicologist Fred Lieberman and Mickey Hart on the Planet Drum project. She has performed in the US and Europe, and worked with many musicians of note including composer Pauline Oliveros, the late Dumisani Maraire (renowned composer from Zimbabwe) and others. She has studied with jazz great Art Lande and Latin jazz pianist extraordinaire Rebeca Mauléon.

Sangria by Mariah Parker

Sangria by Mariah Parker (Ancient-Future.Com AF 2017). $17.98: Buy Link . (>audio).

Hi-Res CD Cover Art of Sangria (3.2 MB):

http://www.ancient-future.com/images/sangria_cvr300dpi.jpg

One Sheet with Streaming Audio for Sangria:

http://www.ancient-future.com/pdf/sangria_1sheet_dig.pdf

Liner Notes for Sangria:

http://www.ancient-future.com/pdf/sangria_digital_liner_notes.pdf

Sangria by Mariah Parker blends the driving rhythmic syncopations of Latin jazz with the entrancing, asymmetrical meters of East India. This debut recording features her original compositions that draw musical inspiration from Brazil, Cuba, Spain, and India.

“This collection of eight original instrumentals by Mariah Parker is just one of many examples of the infusion of East Indian music into Western music, but to my ears one of the most successful.” — AUDIOPHILE AUDITION

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PRESS RELEASE: World Music Workshop at Esalen 3/18/2011

Welcome Spring with a World Music Workshop at Esalen, Big Sur

Got Rhythm? Develop Your Inner Rhythm by Studying World Music

World Music Workshop by Ancient Future Leader Matthew Montfort

Weekend of March 18-20, 2011

8:30 p.m. 3/18/2011 through 11:30 am 3/20/2011

Schedule: Friday, 8:30 pm – 10:00 pm

Saturday: 10:00 am – 12:00 pm, 4:00 pm – 6:00 pm, 7:30 pm – 10:00pm

Sunday: 9:30 am – 11:30 am

Esalen Institute

55000 Highway 1

Big Sur, CA 93920

Cost: Workshop alone: Regular Rate- $385. Friends of Esalen Rate- $360.

With Bunk Bed Room: Regular Rate- $530. Friends of Esalen Rate- $505.

With standard accommodations: Regular Rate-$695. Friends of Esalen Rate- $670.

Reservations: 831-667-3005.

Fax: 831-667-2724. Email: info@esalen.org.

Download event poster: Esalen3-18-11.pdf (628 k)

Facebook Event

This workshop retreat beginning March 18, 2011, is a wonderful way to welcome spring with improved timing skills in a spectacular setting. Matthew Montfort is the author of Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali and India. The book, which is the basis for this world music workshop, received rave reviews in publications such as GUITAR PLAYER, ELECTRONIC MUSICIAN, DRUMS AND DRUMMING, and the SAN FRANCISCO CHRONICLE. Material from the book has been used by many teachers and musicians around the world, including Reinhard Flatischler, founder of the TaKeTiNa rhythm training process, and Steve Smith, famed jazz and rock drummer.

The workshop is presented in an easy to follow, entertaining yet educational format for all music lovers. African polyrhythms, Balinese kotèkan and Indian classical music were chosen as the source material for the training because these three traditions in combination cover the major types of rhythmic organization used in most of the world's music. Not just for musicians and percussionists, this training can help anyone with a desire to improve their rhythmic skills. Melodic aspects of the traditions will also be explored through vocal chanting and ensemble performance in a supportive setting. The workshop is open to all levels, and no musical background is required. Very simple to play percussion instruments will be provided, and participants are free to bring any percussive or melodic instruments they enjoy playing.

About Matthew Montfort

As leader of the world music group Ancient Future, Matthew Montfort has devoted himself to the scalloped fretboard guitar since 1978. He spent years of study with some of the world's best musicians, such as gamelan director K.R.T. Wasitodipuro, North Indian sarod master Ali Akbar Khan, and vina master K.S. Subramanian, with whom he did an intensive study of South Indian note-bending techniques. He was interviewed in the December 2009 Les Paul issue of Guitar Player Magazine about the scalloped fretboard guitar and the application of the rules of Indian raga to the music of Jimi Hendrix as exemplified by 'Purple Raga' from his debut solo recording, Seven Serenades for Scalloped Fretboard Guitar. He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui.

160 Word Radio Announcement

A world music workshop will be lead by Matthew Montfort of the world music group Ancient Future the weekend of March 18, 2011, at Esalen Institute in Big Sur. This workshop retreat is a wonderful way to welcome spring with improved timing skills in a spectacular setting. Matthew Montfort is the author of Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali and India, which received rave reviews in publications such as DRUMS AND DRUMMING. The workshop is presented in an easy to follow, entertaining yet educational format for all music lovers. Melodic aspects of the traditions will also be explored through vocal chanting and ensemble performance in a supportive setting. The workshop is open to all levels, and no musical background is required. Very simple to play percussion instruments will be provided, and participants are free to bring any percussive or melodic instruments they enjoy playing. For reservations, call Esalen Institute at 831-667-3005, or visit esalen.org.

Rhythm Training Materials

Ancient Traditions – Future Possibilities

Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali and India by Matthew Montfort. Book/Enhanced Audio CD Set with MIDI Soundfiles:$52.95 (SALE! Normally $69.95): Buy Link.

Quotes

"You've heard Afro-Pop, sitar, gamelan and world music for years. But do you know what they are and how they work? Better yet, would you like to play those twisted cross-rhythms and melodies? In Ancient Traditions--Future Possibilities, Matthew Montfort, a founding member of the world music band Ancient Future, has put together the book for people who want to dig into world music with both hands. The first section of the book covers traditional music of West Africa, Bali and India with theories and exercises. Wherever possible, Montfort has provided beat counts alongside the standard musical notation so even if you can't read music, you can still learn the rhythms.The last section of the book mixes patterns from different cultures, demonstrating the powerful music these simple exercises can generate." – Richard Kadrey, SAN FRANCISCO CHRONICLE

"A hands-on exploration of Balinese, African, and Indian rhythms that should appeal to all musicians. One needn't play percussion instruments, or any instruments at all, for that matter, to use and benefit from the book." – DRUMS AND DRUMMING

"Very highly recommended for any instrumentalists hoping to expand their rhythmic horizons. If you've never investigated the beautiful clash of African polyrhythm, the incredible interlocking textures of Balinese music, or the complex metric structure of Indian classical music, check out Ancient Traditions--it will blow your mind and deepen your groove." – GUITAR PLAYER MAGAZINE

"If you're tired of programming your drum machine with the same old 4/4 back-beat, or you want to sharpen your rhythmic chops, this book is highly recommended." – ELECTRONIC MUSICIAN

Melodic Training Materials

Seven Serenades for Scalloped Fretboard Guitar

(>audio)

Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort. (AF 2008). $17.98: Buy Link.

The debut recording by Ancient Future leader Matthew Montfort showcases his pioneering work on the scalloped fretboard guitar, a special modified instrument able to produce ornaments characteristic of the sitar. The CD has been selected for a special sale program at Borders stores nationally in January 2010.

Free Educational Liner Notes

Download 18 pages of educational liner notes from Seven Serenades including sheet music and in depth explanations of melodic concepts utilized in world music. Digital Liner Notes (1.7 MB).

Online Raga Lesson

Now on GuitarPlayer.Com: "The Music of Jimi Hendrix Applied to Indian Raga" by Matthew Montfort

Quotes

Download the 65 page report of media placements for Seven Serenades for Scalloped Fretboard Guitar. Complete reviews, photos, and links to online reviews. MediaMatthewMontfort.pdf (3.9 MB).

"A true guitar wizard." – Jello Biafra, ALTERNATIVE TENTACLES RECORDS

"This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition." – Teed Rockwell, INDIA CURRENTS

"Matthew’s playing is always impeccable, filled with subtle emotion and even wanderlust. I don't know of anyone who plays quite like Matthew. His mastery of the scalloped fretboard guitar seems unequaled. For a richly rewarding journey into the magic of acoustic world fusion music, look no farther than 'Seven Serenades for Scalloped Fretboard Guitar.'" – Steve Ryals, FRESH TRACKS

"Leader of the world-music band Ancient Future since 1978, Matthew Montfort has adapted many string instrument styles – from sitar to zither – to his guitar. His special scalloped fretboard allows him to tweak the strings in unique ways, but his virtuosity is a lot more than technical." – David Rubien, SAN FRANCISCO CHRONICLE

"It isn't every day that acoustic guitarists make their instrument sound a lot like an Indian sitar, but that is exactly what Matthew Montfort accomplishes on the instrumental 'Seven Serenades for Scalloped Fretboard Guitar.' Through it all, Montfort demonstrates that even though he has considerable chops and technical prowess, he is much more interested in feeling and expression than technique. This 56-minute CD is an adventurous, consistently engaging demonstration of what Montfort can accomplish on the scalloped fretboard guitar." – Alex Henderson, ALL MUSIC GUIDE

"Though he plays guitar, Montfort's music isn't merely guitar music; it's a sonic environment that features a guitar. Strong Indian and Balinese influences permeate these seven exotic soundscapes. Beautifully recorded, this sumptuous music creates a unique wall of sound that you won't soon forget." – Steven Stone, VINTAGE GUITAR MAGAZINE

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FOR IMMEDIATE RELEASE: 9/28/2010
Contact: info@ancient-future.com

Matthew Montfort of Ancient Future Featured on Rachel Maddow Show

Kent Jones Reports on the Strange Instruments Played at the Music for People and Thingamajigs Festival in San Francisco

To replay video, refresh page.

Matthew Montfort Showcases Unusual Guitars at Music for People and Thingamajigs Festival

Matthew Montfort, guitarist and bandleader of the pioneering world fusion music group Ancient Future, was interviewed and performed on the Rachel Maddow Show on MSNBC on Friday, September 24th, 2010.

Kent Jones, the Rachel Maddow Show's pop-culturist, was in San Francisco September 23rd and 24th to cover the opening of the Music for People and Thingamajigs Festival. Matthew Montfort kicked off the festival by showcasing his unusual guitars: the Godin Glissentar, an 11 string fretless guitar, and the scalloped fretboard guitar, a special modified instrument able to produce ornaments characteristic of the sitar.

Matthew Montfort Interviewed on Rachel Maddow Show

The “Just Enough” with Kent Jones segment airs during the last few minutes of the Rachel Maddow Show and aims to provide viewers with just enough pop culture news. During the sound check for the festival, Kent Jones interviewed the musicians and played many of the instruments himself. After sound check, Kent Jones and his cameraman videotaped the entire opening night of the festival.

The September 24th, 2010 “Just Enough” segment features Kent Jones trying out some of the unusual instruments at sound check along with interviews with Matthew Montfort and some of the other Music for People and Thingamajig Festival performers. Montfort was asked to demonstrate the unique musical features of the Godin Glissentar.

Ancient Future Duet featuring Matthew Montfort and Bui Huu Nhut Performs on Rachel Maddow Show

A selection from Matthew Montfort's Music for People and Thingamajigs Festival performance was the only music from the festival that was featured on the Rachel Maddow show. Montfort performed his piece, “Purple Raga,” from his Seven Serenades for Scalloped Fretboard Guitar recording, but in this unusual arrangement, he was accompanied at the end by Bui Huu Nhut, a master of the dan bau, a traditional Vietnamese single string instrument with an indigenous version of a whammy bar. Bui Huu Nhut is well known to fans of Ancient Future from his performance of “Jah Nam” on Ancient Future's Asian Fusion recording, which was also featured on the Putumayo sampler, Asian Lounge. The two performed a spontaneous improvisation based on the guitar solo section of “Purple Haze” by Jimi Hendrix. They received a standing ovation from the festival audience.

Matthew Montfort's “Purple Raga”

5 Page Guitar Player Magazine/GuitarPlayer.com Media Report (1.4 MB):
http://www.ancient-future.com/pdf/MatthewMontfortGuitarPlayerMag.pdf

For those interested in learning more about Montfort's “Purple Raga” piece, the December 2009 collectible commemorative Les Paul issue of Guitar Player Magazine includes a full page feature with a photo of Matthew Montfort superimposed over psychedelic artwork portraying Jimi Hendrix and an interview with Montfort about the scalloped fretboard guitar, Indian raga, and his thoughts about the relationship of Indian raga to the music of Jimi Hendrix. The story includes a link to a GuitarPlayer.com online lesson created by Matthew Montfort, entitled “The Music of Jimi Hendrix Applied to Indian Raga,” which explains the musical concepts behind the “Purple Raga” track on Montfort's debut solo CD, Seven Serenades for Scalloped Fretboard Guitar.

GuitarPlayer.Com Video: “Purple Raga”

Embed code available at: http://www.guitarplayer.com/story.aspx?id=100631&terms=montfort

GuitarPlayer.com is hosting a video of Matthew Montfort performing his “Purple Raga” composition live at Ancient Future's 30th Anniversary Concert on a Godin Glissentar, the 11 string fretless guitar endorsed by Montfort. It is the first recording available of Montfort performing on the Glissentar.

Matthew Montfort Bio

Hi-Res Photo of Matthew Montfort by Julie Marten (2 MB, 300 dpi 4.3 x 6.5):
http://www.ancient-future.com/images/matthewmontfort600.jpg

As leader of the world music group Ancient Future, Matthew Montfort has devoted himself to the scalloped fretboard guitar since 1978. He spent years of study with some of the world's best musicians, including North Indian sarod master Ali Akbar Khan and vina master K.S. Subramanian, with whom he did an intensive study of South Indian note-bending techniques. He has performed concerts worldwide, from the Festival Internacional de la Guitarra in Spain to the Festival of India in Mumbai. He has worked with many world music legends, including tabla phenomenons Zakir Hussain and Swapan Chaudhuri, sitar master Pandit Habib Khan, Carnatic saxophone legend Dr. Kadri Gopalnath, and Chinese zither master Zhao Hui.

Seven Serenades for Scalloped Fretboard Guitar

(>audio)

Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort.(AF 2008). $17.98: Buy Link.

The debut recording by Ancient Future leader Matthew Montfort showcases his pioneering work on the scalloped fretboard guitar, a special modified instrument able to produce ornaments characteristic of the sitar.

“This unusual guitar album brings together world instruments to complement the scalloped fretboard guitar. Starting with 'Gauri the Golden,' an improvisational piece drawing heavily on Indian raga, this is an intriguing collection of the resulting compositions. In fact, the entire CD is based on improvisation and includes one tune with an ancient Celtic theme, which Montfort suggests has many parallels 'to the Vedic tradition.' I must admit that sometimes ragas played by guitar players seem to wander on forever, changing a note here and there and weaving a kind of slow, hypnotic journey. However, this guitar work is stunning, intricate and wonderfully melodic. If you are looking for good listening and something different for your CD shelf, this is it. But don’t go carving up your fretboard until you've really figured this out.” — J.W. McClure, from review of Seven Serenades for Scalloped Fretboard Guitar, VICTORY REVIEW ACOUSTIC MUSIC MAGAZINE, April, 2010.

Hi-Res CD Cover Art of Seven Serenades (912 k):
http://www.ancient-future.com/images/serenade300dpi.jpg
One Sheet for Seven Serenades with Streaming Audio:
http://www.ancient-future.com/pdf/serenades_1sheet_dig.pdf
Liner Notes for Seven Serenades:
http://www.ancient-future.com/pdf/serenades_digital_liner_notes.pdf

Bui Huu Nhut Bio

Bui Huu Nhut (pronounced “buoy who newt”) is a leading performer on the dan bau, an instrument of purely Vietnamese origin. Its single string is stretched over a long box, attached to a tuning peg at one end, and to a flexible rod (which holds a resonating gourd) at the other. Its sound is said to “find its way into the secret places of the soul.” A native of Saigon, Mr. Bui has lived in the U.S. since 1989. He performs in traditional Vietnamese groups and with several ensemble variations of Ancient Future, including the Asian Fusion Dance Ensemble Program.

Video of Entire “Just Enough” with Kent Jones Segment 9/24/2010

To replay video, refresh page.Embed code available at:
http://www.msnbc.msn.com/id/21134540/vp/39352511#39352511

Entire Transcript

Rachel Maddow: So here's the bad news. On the day that we find out that a fist fight broke out in the stands between a man and two women no less, while Sharron Angle was speaking at a candidate forum in Nevada, on the day that Stephen Colbert braids performance art and politics together so tightly that he almost pops immigration reform out of Congress with the sheer pressure of his wit, on the day we actually get in the mail the stink mailer from the crazy Carl for Governor campaign in New York, the piece of direct mail scented with the smell of land fill, on the day when we most need a man of Kent Jones' talents to make sense of the world around us, Kent is on vacation. That's the bad news. We need him. He's gone. The good news is that it turns out that Kent does some freaky crazy weird stuff on vacation and then pops into a studio to tell us about it. Kent, did you seriously do what I heard you did today?

Kent Jones: Ah, well, I mean this depends on what you think it is that I “did” today. I'm in San Francisco and I think that I helped the people of San Francisco advance music to the next level.

Rachel Maddow: OK.

Kent Jones: That's what I think I was doing today. So, may I present the Festival of Music for People and Thingamajigs.

(Ancient Future musicians Matthew Montfort and Bui Huu Nhut perform on fretless guitar and dan bau)

Kent Jones: This is a guitar, but not like one we know. Tell me about this.

Matthew Montfort: Right, this guitar actually has no frets on it. And so it's basically a combination of an oud and a guitar.

Kent Jones: You told me that these are skatch boxes. What is that?

Tom Nunn: Skatch box is a kind of instrument that comes out of a technique called skatching. And skatching is basically taking a shaped comb and scraping it across a surface.

(Tom Nunn and David Michalak playing their scatch boxes)

Kent Jones: And that's what it sounds like inside my head.

Gretchen Jude: This is a koto, a traditional Japanese instrument. And this is a photo koto. They react to light in a way you will hear when I play.

Kent Jones: Could you play a little bit for me, please?

Gretchen Jude: Of course. Actually, your cameraman can play?

Kent Jones: What? How does that work?

Gretchen Jude: OK. The light comes in here. Ready?

(Sound of photo koto reacting to the camera light)

Kent Jones: That was my cameraman playing the photo koto. It's a first.

Terry Berlier: This one is used from recycled pan lids and this is called the percussion ball. Each hole has a different length tube in it. So the longest one is about ten feet long. And so the length of the tube determines the pitch or the note you're getting.

Kent Jones: Thank you, good night!

Rachel Maddow: Kent, if you come back to the office without that thing, that makes noise when you hit it with light, I'll be very angry.

Kent Jones: I'm going to need a bigger desk, I'm just saying right now.

Rachel Maddow: And also maybe a larger overhead compartment for the flight home...but...

Kent Jones: That goes without saying.

Rachel Maddow: Thank you, Kent. Happy vacation.

Kent Jones: Thank you.

Ancient-Future.Com Title Selected for Baker & Taylor Spotlight on Jazz Brochure

Ancient-Future.Com Records Title Selected for Baker & Taylor Spotlight on Jazz Brochure

Sangria by Mariah Parker on Ancient-Future.Com Records has been selected for the Baker & Taylor Spotlight on Jazz Brochure. This retail program coincides with Jazz Appreciation Month (April) and Jazz Fest in New Orleans (April 23 - May 2). Sangria will be sale priced from 4/5/2010 to 5/2/2010 and will be featured in a color flyer insert in the 4/5/2010 issue of Baker & Taylor Spotlight and the April issue of Alert, a library mailer. The flyer will be sent to 8,500 retail and library accounts, and featured on websites.

Sangria by Mariah Parker: An Indo Latin Jazz Musical Experience

Sangria by Mariah Parker (Ancient-Future.Com AF 2017). $17.98: Buy 1 Now. (>audio). Mariah Parker blends the driving rhythmic syncopations of Latin jazz with the complex rhythmic cycles of East India. Her original compositions draw musical inspiration from Brazil, Cuba, Spain, and India. Her Indo Latin Jazz Ensemble includes a stellar lineup of musicians from the bands Ancient Future, Oregon, Sun Ra, and Herbie Hancock's Headhunters: Matthew Montfort, trailblazing pioneer of scalloped fretboard guitar (an instrument combining qualities of the South Indian vina and the steel string guitar); Paul McCandless, 2-time Grammy Award nominee and woodwind virtuoso; Kash Killion, bass player and multi-instrumentalist with Sun Ra Arkestra; Mindia Devi Klein, award-winning composer and flutist; Duru Demetrius, latin percussionist with Herbie Hancock; Anuradha Pal, world's premiere female tabla player; Debopriyo Sarkar, tabla virtuoso whose recent tours include Kronos Quartet; and Brian Rice, versatile percussionist with players such as Mike Marshall.

Quotes and Bio

“Sangria blends the rhythmic syncopations of Latin jazz music with the entrancing, asymmetrical meters of East Indian rhythms resulting in first-class world music.” — LATIN BEAT MAGAZINE

“Dazzling debut... Parker's subtle and sensuous sounds reflect exotic flavors of India, the Middle East and Latin America.” — PALO ALTO DAILY NEWS

“This collection of eight original instrumentals by Mariah Parker is just one of many examples of the infusion of East Indian music into Western music, but to my ears one of the most successful.” — AUDIOPHILE AUDITION

“Although entirely instrumental, Sangria speaks. Maybe it's the technical virtuosity abounding in the multiplicity of sounds — in the santur or sarangi, or the tabla or timbales. Maybe it's in the emotive resonance of what's behind the sounds... whatever it is, Parker's Sangria is a lively, adventurous exploration into a hybrid global identity.” — LEO WEEKLY

Mariah Parker (composer and multi-instrumentalist), while completing her degree in music at UC Santa Cruz, worked with ethnomusicologist Fred Lieberman and Mickey Hart on the Planet Drum project. She has performed in the USA and Europe, and worked with many musicians of note including composer Pauline Oliveros, the late Dumisani Maraire (renowned composer from Zimbabwe) and others. She has studied with jazz great Art Lande and Latin jazz pianist extraordinaire Rebeca Mauléon, and performs regularly with the trendsetting world music group Ancient Future.

 

Radio Airplay Report

Sangria has received airplay on 385 radio programs, and received strong top five reports to the CMJ Jazz, CMJ New World, and ZMR radio charts. It reached #18 on the February 2009 ZMR World Radio Chart. In addition to strong airplay on traditional jazz and Latin programs, the record received some airplay on smooth jazz programs. Two songs were in the Smooth Jazz Now Top 100 Songs of 2009. Ancient-Future.Com Radio Report (1.9 MB .pdf)

Media Report

Sangria received 76 placements in national magazines, websites, newspapers, and other media. Download this media report to read the many rave reviews! Mariah Parker Media Report (3.4 MB .pdf)

Distribution

Alternative Distribution Allience (212-343-2485). Founded in 1993, Warner Music Group's ADA is the largest distributor of independent music in America.

 

Mariah Parker's Indo Latin Jazz Ensemble Returns to Yoshi's Jazz Club, Oakland, 4/19/2010

FOR IMMEDIATE RELEASE

2/3/2010

Contact: Ancient-Future.Com Records

1-888-823-8887

info@ancient-future.com

Mariah Parker's Indo Latin Jazz Quintet Returns to Yoshi's

Monday, April 19, 8 pm

Yoshi’s Jazz Club

510 Embarcadero West

Oakland, CA 94607

Tix: $18

For more info, call 510-238-9200 or visit www.yoshis.com

Ancient-Future.Com Records Artist

Mariah Parker and her Indo Latin Jazz Quintet

Mariah Parker's Indo Latin Jazz Quintet Hi-Res Photo by Ross Pelton (2.4 MB):

http://www.ancient-future.com/images/indolatinquintet300dpi8x5.jpg

Featuring Mariah Parker (composer, piano, santur) and a stellar lineup of musicians including including Grammy award winning woodwind virtuoso Paul McCandless (known through his work with the seminal chamber jazz groups Paul Winter Consort and Oregon), trailblazing guitarist Matthew Montfort (Ancient Future), bassist and cellist Kash Killion (Sun Ra Arkestra, Cecil Taylor); and Indian tabla/jazz drum set pioneer Sameer Gupta (Marc Cary, VidyA, Chitresh Das, Anindo Chatterjee).

Back By Popular Demand at Yoshi's Jazz Club, Jack London Square, Monday, April 19, 8 pm

“Mariah Parker's Indo Latin Jazz Ensemble packed Yoshi's in Jack London Square, and the incredible live performance had the audience roaring and screaming for more of the Indo-Latin jazz rhythms filling the celebrated jazz club during the CD release event for Mariah Parker's debut recording, 'Sangria.' Blending the asymmetrical meters of East India with the driving syncopations of Latin jazz to create a fresh new sound, Parker draws musical inspiration from Cuba, Brazil, India and Spain. The concert goers were so spirited and enthusiastic as the performance progressed throughout the evening, the roar of their response to Mariah Parker's compositions brought the jazz club to a feverish pitch that rocked the building to its foundation.” - Lynda Carson, BERKELEY DAILY PLANET

Mariah Parker (composition, piano, santur)

Mariah Parker with Piano Hi-Res Photo by Ross Pelton (1.7 MB):

http://www.ancient-future.com/images/mariahpianohiRes.jpg

www.mariahparkermusic.com

Mariah Parker is a composer and multi-instrumentalist whose main instruments are santur and piano. Her first instrument was the piano which she began playing at age 5. Later in music school, she fell in love with the sound of the santur when she heard it drifting across campus. The transition was a natural one given that the santur, along with its Western offspring, the hammered dulcimer, is the ancestor of the piano. The strings of the santur are played directly by the delicate hammers, creating a beautiful shimmering sound. The sound of the piano is also created by hammered strings, but mechanically triggered by the fingers striking the keys.

Mariah Parker with Santur Hi-Res Photo by Ross Pelton (1.6 MB):

http://www.ancient-future.com/images/mariah_santur_300dpi5x4.jpg

While completing her degree in music at UC Santa Cruz, she worked with ethnomusicologist Fred Lieberman and Mickey Hart on the Planet Drum project. She has performed in the US and Europe, and worked with many musicians of note including composer Pauline Oliveros, the late Dumisani Maraire (renowned composer from Zimbabwe) and others. She has studied with jazz great Art Lande and Latin jazz pianist extraordinaire Rebeca Mauléon, and performs regularly with the trend-setting world music group Ancient Future.

Videos

www.youtube.com/mariahparker

Mariah Parker's Indo Latin Jazz Ensemble performs 'Affinity Minus One' at Yoshi's:

http://www.youtube.com/watch?v=WARbr891OGQ

Mariah Parker's Indo Latin Jazz Ensemble performs 'Milo's Moment' at Yoshi's:

http://www.youtube.com/watch?v=_cMNlh182E0

Ancient Future performs 'Sangria' by Mariah Parker at 30th Anniversary Concert at Freight & Salvage:

http://www.youtube.com/watch?v=zuaq_-hl0HE

Sangria by Mariah Parker

Sangria by Mariah Parker (Ancient-Future.Com AF 2017). $17.98: Buy 1 Now. (>audio).

Hi-Res CD Cover Art of Sangria (3.2 MB):

http://www.ancient-future.com/images/sangria_cvr300dpi.jpg

One Sheet with Streaming Audio for Sangria:

http://www.ancient-future.com/pdf/sangria_1sheet_dig.pdf

Liner Notes for Sangria:

http://www.ancient-future.com/pdf/sangria_digital_liner_notes.pdf

Mariah Parker's debut recording on Ancient-Future.Com Records, Sangria, features her original compositions that draw musical inspiration from Brazil, Cuba, Spain, and India. Her Indo Latin Jazz Ensemble accompanies her and includes musicians from the bands Ancient Future, Oregon, Sun Ra, and Herbie Hancock's Headhunters.

Sangria received airplay on over 385 New World, Jazz, and Latin radio programs. The recording has earned 76 media and chart placements including two songs on the Smooth Jazz Now Top 100 Songs of 2009 Chart and rave reviews such as the following:

“Parker and friends blend the rhythmic syncopations of Latin jazz music with the entrancing, asymmetrical meters of East Indian rhythms resulting in first-class world music. Intriguing melodies that draw musical inspirations from the tempos of Brazil, Cuba, India, and Spain make for an uplifting serene yet passionate musical journey into an ideal world.” — LATIN BEAT MAGAZINE

“Dazzling debut.... Parker’s subtle and sensuous sounds reflect exotic flavors of India, the Middle East and Latin America.” — PALO ALTO DAILY NEWS

“Although entirely instrumental, Sangria speaks. Maybe it's the technical virtuosity abounding in the multiplicity of sounds - in the santur or sarangi, or the tabla or timbales. Maybe it's in the emotive resonance of what's behind the sounds, like the longing of separation in "Between the Lines," where Parker's fingers dance across the keys in precise, measured movements, in graceful arching and sweeping strokes, or in the spectacle of wonder in "Debajo De La Lluvia" or the "Tenth Journey." Whatever it is, Parker's Sangria is a lively, adventurous exploration into a hybrid global identity.” — LEO WEEKLY

“Parker brings a wide variety of influences to Sangria, ranging from Indian and Middle Eastern music to Afro-Cuban salsa and Brazilian samba. She obviously appreciates the Eastern-influenced spirituality and mysticism of John Coltrane, Yusef Lateef, Pharoah Sanders, and Lonnie Liston Smith, but her composing also contains elements of everyone from Pat Metheny to Chick Corea.... Parker, of course, didn't invent the idea of world jazz… but she keeps it moving forward... demonstrating that the fusion of jazz and world music still has plenty of possibilities after all these years -- and a global perspective serves Parker well throughout the rewarding Sangria.” — ALL MUSIC GUIDE

“This collection of eight original instrumentals by Mariah Parker is just one of many examples of the infusion of East Indian music into Western music, but to my ears one of the most successful.” — AUDIOPHILE AUDITION

73 Word Radio Announcement

On Monday, April 19, at 8 pm, Ancient-Future.Com Records artist Mariah Parker and her Indo Latin Jazz Quintet will perform at Yoshis, located at 510 Embarcadero West, Oakland, California. The concert features Mariah Parker on piano and santur, Paul McCandless on woodwinds and horns, Matthew Montfort on guitars, Kash Killion on bass and cello, and Sameer Gupta on drum set and tabla. Tickets are $18. Call 510-238-9200 or visit www.yoshis.com for more information.