Showing posts with label San Francisco. Show all posts
Showing posts with label San Francisco. Show all posts

Friday, April 7, 2017

Ancient-Future.Com Recording Artists Perform at the San Francisco International Arts Festival

Ancient-Future.Com Recording Artists Perform at the San Francisco International Arts Festival

San Francisco International Arts Festival
The 2017 San Francisco International Arts Festival features three performances showcasing Ancient-Future.Com Recording Artists. Ancient Future performs a Guitar-Sitar Jugalbandi June 1 at 8 PM at the Fort Mason Chapel. Mariah Parker brings her Indo Latin Chamber Jazz Sextet June 3 at 6 PM to Gallery 308. Scalloped fretboard guitar pioneer Matthew Montfort, master Italian guitarist Giacomo Fiore, and German fingerstyle guitarist extraordinaire Teja Gerken hold a Global Guitar Summit June 4 at 3 PM at the Fort Mason Chapel.

June 1, 8 PM, Fort Mason Chapel:

Ancient Future Guitar-Sitar Jugalbandi

Photo of Pandit Habib Khan and Matthew Montfort
Shown: Pandit Habib Khan, Matthew Montfort

Featuring Pandit Habib Khan (Sitar), Matthew Montfort (Guitar), and Ferhan Qureshi (Tabla)

Jugalbandi is a classical North Indian musical duet (meaning literally "tied together"). The guitar is not often used in the music of India. However, Matthew Montfort has studied sitar and is a pioneer of the scalloped fretboard guitar, an instrument combining qualities of the South Indian vina and the steel string guitar. This jugalbandi works well because Matthew Montfort is a guitarist with knowledge of sitar, and Pandit Habib Khan has been described as the "Jimi Hendrix of the sitar" by L'Orient le Jour, Beirut's French language newspaper. They will be accompanied by tabla master Ferhan Qureshi.
Ancient Future is the first and longest running musical organization dedicated exclusively to the mission of creating world fusion music. The term was coined by bandleader Matthew Montfort in 1978 to describe Ancient Future’s unusual blend of musical traditions from around the world. Billboard calls the group "trendsetters" for their early contributions to the movement, which seeks to show how people from different cultures can grow by learning from each other.
Thursday, June 1, 2017, 8 PM
San Francisco International Arts Festival
Fort Mason Chapel
San Francisco, CA 94109
Adm.: $25 gen., $12.50 under 18. Students with ID and seniors, $4 off cover price. Festival Pass (5 shows for $70).
Box office: 415-345-7575. Buy Tix.
Event page. Facebook artist page. Facebook event page. Full press release.

Concert Poster
Poster (pdf)

Concert Review

"Their concert was billed as a guitar-sitar ‘jugalbandi’ concert – a blend of classical Eastern and Western music featuring Montfort on guitar and Pandit Habib Kahn on sitar, with guests on dulcimer and percussion – and was simply an outstanding presentation. What made the 'jugalbandi' concert so special was the fact that guitar is seldom featured in Indian classic music – yet Montfort is a pioneer of such and uses the scalloped fretboard guitar to bring out the best in Indian sounds. His background as a student of the notoriously-difficult sitar lends to translations which shine on guitar; and by having a blend of sitar and rare guitar interactions, the concert became an extraordinary presentation indeed, spiced by the intimacy of stage which felt nearly small and close enough to be a living room. Ancient Future’s focus on world fusion music has always produced extraordinary artist interactions and results; but this concert was an exceptional meld of East and West and offered up unique fingerings, approaches and collaborative efforts. It also held the unique ability to reach out not only to audience members already versed in Indian classic music, but to newcomers to the genre. It’s not to be missed."WorldDiscoveries.net

Video

Guitar-Sitar Jugalbandi on Youtube
Guitar-Sitar Jugalbandi version of 'Dawn of Love' by Matthew Montfort (229k YouTube views)

June 3, 6 PM, Gallery 308, Fort Mason:

Mariah Parker's Indo Latin Chamber Jazz Sextet

Band Photos
Shown: Mariah Parker, Matthew Montfort, Paul McCandless, Ian Dogole, Sascha Jacobsen, Jim Hurley

Featuring Mariah Parker (piano, santur), Paul McCandless (woodwinds), Matthew Montfort (scalloped fretboard guitar), Jim Hurley (violin), Sascha Jacobsen (bass) and Ian Dogole (percussion)

Pianist Mariah Parker has just released her second recording of original compositions, Indo Latin Jazz Live In Concert, on Ancient-Future.Com Records. For this concert, Mariah adds chamber music to her mix. Her all-star Indo Latin Chamber Jazz Sextet features Grammy winner Paul McCandless on woodwinds and chamber bassist Sascha Jacobsen along with guitarist Matthew Montfort, violinist Jim Hurley, and percussionist Ian Dogole from the world music group Ancient Future.
According to Latin Beat Magazine, "Parker and friends blend the rhythmic syncopations of Latin jazz music with the entrancing, asymmetrical meters of East Indian rhythms resulting in first-class world music." This chamber variation of the ensemble with its emphasis on strings will explore new compositions as well as rearrangements of existing work.
Photo of Mariah Parker
Shown: Mariah Parker
Saturday, June 3, 2017, 6 PM
San Francisco International Arts Festival
Gallery 308, Fort Mason
San Francisco, CA 94109
Adm.: $25 gen., $12.50 under 18. $30 reserved table, $35 reserved front table. Students with ID and seniors, $4 off cover price. Festival Pass, 5 shows for $70.
Box office: 415-345-7575. Buy Tix.
Event page. Facebook artist page. Facebook event page. Full press release.
Poster
Poster (pdf)

Video

Youtube Video of Sol de Barcelona by Mariah Parker
Mariah Parker's Indo Latin Jazz Ensemble performs 'Sol de Barcelona'

June 4, 3 PM, Fort Mason Chapel:

Global Guitar Summit

Photo of Matthew Montfort, Giacomo Fiore, and Teja Gerken
Shown: Matthew Montfort, Giacomo Fiore, Teja Gerken

Featuring Matthew Montfort, Giacomo Fiore, and Teja Gerken

This Global Guitar Summit presents three international acoustic guitar virtuosos who will perform solo and ensemble pieces. The summit features American scalloped fretboard guitar and world fusion music pioneer Matthew Montfort, master Italian guitarist and musicologist Giacomo Fiore, and German fingerstyle guitarist extraordinaire Teja Gerken. The music performed will include new arrangements of classical works, Celtic music, Indian classical, contemporary compositions, popular songs, and much more.
Sunday, June 4, 2017, 3 PM
San Francisco International Arts Festival
Fort Mason Chapel
San Francisco, CA 94109
Adm.: $25 gen., $12.50 under 18. Students with ID and seniors, $4 off cover price. Festival Pass, 5 shows for $70.
Box office: 415-345-7575. Buy Tix.
Event page. Facebook artist page. Facebook event page. Full press release.

Concert Poster
Poster (pdf)

Videos

Matthew Montfort performs 'Soul Serenade' at Ancient Future's 30th Anniversary Concert.

Giacomo Fiore performs 'Sarabande pour Guitare' by Francis Poulenc.

Teja Gerken performs '1948' live.

Bios

Matthew Montfort's Custom Martin Scalloped Fretboard GuitarScalloped Fretboard Detail

Matthew Montfort (scalloped fretboard guitar)

Performing June 1 with Ancient Future, June 3 with Mariah Parker, & June 4 at the Global Guitar Summit
Matthew Montfort is a pioneer of the scalloped fretboard guitar, an instrument with a modified fretboard in which the wood between frets has been carved out in order to facilitate intricate note-bending ornaments. The leader of the world music group Ancient Future, he is recognized as one of the world's 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com for his work expanding the boundaries of guitar playing through the study of the world's great music traditions. For example, in 1979 Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the scalloped fretboard guitar. He has performed worldwide, from the Festival Internacional de la Guitarra in Spain to the Festival of India in Mumbai, and live on national radio and TV shows such as the Echoes Living Room Concerts on PRI and the Rachel Maddow Show on MSNBC. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.
These will be the first San Francisco performances on Montfort's new custom Martin guitar. C.F. Martin's Dick Boak, who has been involved in the conception of more than one hundred and forty signature guitar collaborations with the top musical talents of our time, worked with Montfort to help design the instrument, which features a large sound hole to add volume, an extra upper bout sound hole so that Montfort can hear the guitar better, a cutaway with extra frets protruding into the sound hole to accommodate his extended playing range, and a short scale yet wide neck to allow for greater string bending capability. Master luthier Alan Perlman scalloped the fretboard and added finishing touches to complete this amazing instrument in 2016.
"Because Montfort’s guitar has a scalloped fretboard, his fingers touch only the strings, enabling him to produce ornaments more characteristic of the sitar. This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition." – Teed Rockwell, INDIA CURRENTS, March 2009

Pandit Habib Khan (sitar)

Performing June 1 with Ancient Future
Pandit Habib Khan is regarded as one of the best sitar players in the country today. He was born into a family of musicians and can trace his lineage back several generations to when classical music enjoyed the patronage of the nobility and royalty of India. He began his training at the tender age of five under the strict eye of his accomplished father, Ustad Hameed Jaffer Khan. The Jaffer Khan family was from Indore and were well known for their unique style of playing the sitar, melding the effect of the human voice and the instrumental tone into a harmonious whole. Habib Khan has carved out a distinct style of his own which is a blend of his father's traditional techniques and his own imaginative inventions. He is as much at ease with light classical and religious music as he is with pure classical renderings of ragas.

Ferhan Qureshi (tabla)

Performing June 1 with Ancient Future
Ferhan Najeeb Qureshi is a senior disciple of the legendary tabla master Ustad Tari Khan. Prior to his ongoing training with Ustad Tari Khan, Ferhan took his initial lessons in Hindustani (North Indian classical) music theory and practice with Surinder Singh Mann. Ferhan studies the Punjab gharana (school) of classical tabla which both of his teachers represent. In addition to performing tabla lehara (tabla solo), Ferhan Qureshi has also accompanied numerous distinguished classical artists (vocalists, instrumentalists and dancers) both in the United States and in Pakistan.

Mariah Parker (composition, piano, santur)

Performing June 3 with Mariah Parker's Indo Latin Chamber Jazz Sextet

Mariah Parker has been playing music from the time she could reach the keys on the grand piano in her family home. While completing her degree in music at UC Santa Cruz, she worked with ethnomusicologist Fred Lieberman and drummer Mickey Hart on the “Planet Drum” project and became fascinated with the possibilities of bridging musical concepts from different traditions. She has performed her original compositions in festivals in the US and Europe. A gifted composer and band leader, she released her first solo recording of her compositions, “Sangria,” in February of 2009. This release received extensive airplay and critical acclaim worldwide.
“Dazzling…. Parker’s subtle and sensuous sounds reflect exotic flavors of India, the Middle East and Latin America.” — Palo Alto Daily News

Paul McCandless (woodwinds)

Performing June 3 with Mariah Parker's Indo Latin Chamber Jazz Sextet

Grammy Award winner and world renowned jazz superstar, Paul McCandless has brought a soaring lyricism to his playing and composing that has been integral to the ensemble sound of two seminal world jazz bands – the original Paul Winter Consort and the relentlessly innovative quartet, Oregon. A gifted multi-instrumentalist and composer, McCandless has specialized in an unusually broad palette of both single and double reed instruments that reflect his grounding in both classical and jazz disciplines. As a collaborator and solo artist, he has performed on more than 200 albums and appeared with such renowned all-star musicians as Pat Metheny, Jaco Pastorius, Wynton Marsalis, Lyle Mays, and Mark Isham.

Jim Hurley (violin)

Performing June 3 with Mariah Parker's Indo Latin Chamber Jazz Sextet

Influenced profoundly by South Indian violinist L. Shankar, Jim Hurley incorporates styles from bebop to zydeco, European classical to Zairean soukous. He has been musical director and composer for several theater productions, including an entire score in the Balinese gamelan style. His compositions have received widespread acclaim and extensive airplay. Live TV appearances include Saturday Night Live (with Queen Ida) and CNN's Showbiz Tonight (with Dan Hicks). He has toured Europe and Japan and performed at numerous major music festivals, including the New Orleans Jazz and Heritage Festival, the Philadelphia Folk Festival, and the Monterey Jazz Festival.

Sascha Jacobsen (acoustic bass)

Performing June 3 with Mariah Parker's Indo Latin Chamber Jazz Sextet

In addition to leading his own group, the Modern Art Quintet, which plays his original works, Sascha Jacobsen has performed with Rita Moreno, Hugh Jackman, Martin Short, Bonnie Raitt, Randy Newman among others. He has served on the faculty at Humboldt State University, Laney College, Golden Gate Bass Camp, and the Sequoia Chamber Music Festival. Sascha is in demand as a performer, composer, and arranger with commissions from the San Francisco Arts Council, San Jose Chamber Orchestra, San Jose Dance, San Jose Youth Symphony and SF Friends of Chamber Music.

Ian Dogole (global percussion)

Performing June 3 with Mariah Parker's Indo Latin Chamber Jazz Sextet

For nearly 30 years, Ian Dogole has articulated his vision of Global Fusion Music as a multipercussionist, bandleader, educator, recording artist, composer and producer. He has released seven recordings as a band leader, and has recorded and performed with artists such as Hamza el Din, Tito La Rosa, and Alex DeGrassi. His instrumental array includes drums and melodic instruments from Africa, South America, the Middle East and Asia. He has received numerous grants, including a Jazz Performance Fellowship from the National Endowment for the Arts, and multiple grants from the San Francisco Friends of Chamber Music.

Giacomo Fiore (guitar)

Performing June 4 at the Global Guitar Summit
Giacomo Fiore is an Italian guitarist and musicologist who has performed across the United States, Brazil, Canada, and Europe, giving world and U.S. premieres of classical, just intonation, and electric guitar works by Larry Polansky, Ron Nagorcka, Kenji Oh, Garry Eister, Agustin Castilla-Avila, and many others. He has appeared at the Sarzana, Healdsburg, Sierra Nevada, Santa Barbara, and Cervo Guitar Festivals, released several solo recordings, and published articles in Classical Guitar and Ukulele magazines. Currently he teaches at USF, the SF Conservatory, and UCSC, and is a member of the new music ensemble Wild Rumpus.
"Scenes from Nek Chand ... was given an inspired performance by Fiore, who brought appropriate character to each movement: sensitive introspection for 'Leaning Lady,' mercurial dancelike energy for 'Rock Garden,' and an admirable flexibility for 'Sinuous Arcade With Swings in the Arches.'" – SAN FRANCISCO CLASSICAL VOICE

Teja Gerken (guitar)

Performing June 4 at the Global Guitar Summit
German-born Teja Gerken is a contemporary steel-string fingerstyle guitarist whose playing merges the styles of European guitar pioneers such as John Renbourn and Pierre Bensusan with the distinct sounds of American players such as Leo Kottkeand Micheal Hedges. Known for his original compositions, many of which employ alternate tunings, two-handed tapping, percussive effects, and other extended guitar techniques, Teja will also bring Celtic, jazz, and classical styles to the Global Guitar Summit.
"Releasing his second CD, Postcards, is San Francisco area fingerstyle guitarist Teja Gerken, who delivers solo instrumental compositions with enough surprises and innovative twists to delight aficionados of the world music and folk genres. His tunes employ physical techniques such as two-handed tapping, alternate tunings, and percussive effects, but his developed sense of melody is what will keep his CD playing in your mind long after the 'stop' button is pressed. Another impressive feature is that Gerken's playing is captured without overdubs; the intricate arrangements delivered as you might hear the artist in concert. Gerken is one of a rare breed - a guitarist's guitarist with equal appeal for the non-musicians out there. His Postcards album is highly recommended." – GUITAR9.COM

Ancient-Future.Com Records Featuring Artists Performing at SFIAF

The Archive of Future Ancient Recordings

Temporary CD Cover

The Archive of Future Ancient Recordings by Ancient Future (Ancient-Future.Com AF 2030)
The next Ancient Future record is fan funded. There is already over an hour of music in A.F.A.R available right now to supporters, with more tracks coming as money is raised for production. Two of the tracks feature both Pandit Habib Khan and Matthew Montfort.

Yearning for the Wind

Yearning for the Wind CD Cover
Yearning for the Wind by Ancient Future (Ancient-Future.Com AF 90352)
Yearning for the Wind is the first audio/video release in Ancient Future history, available both as a digital download and an enhanced CD that includes an HD video with 96/24 audio. Composed by Matthew Montfort, Yearning for the Wind is a poignant piece based on Rag Kalyan, an evening raga that corresponds to the Lydian mode. A duet with Indian tabla virtuoso Vishal Nagar, who is considered one of the most gifted tabla players of his generation, Yearning for the Wind is set in matta tal, a nine beat rhythmic cycle. Yearning for the Wind rose to the top of the Ethnocloud World Music Charts, earning #1 spots in both the video and audio track categories, and propelling Ancient Future to the #1 rated artist spot.

Planet Passion

Planet Passion CD Cover
Planet Passion by Ancient Future (Ancient-Future.Com AF 2010)
"If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future’s re-issue of their seventh recording. At its best, Planet Passion strives to preserve the world’s vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future’s global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality." — LEO WEEKLY

Indo Latin Jazz Live in Concert

Photo of Mariah Parker Indo Latin Jazz: Live in Concert cover
Indo Latin Jazz Live In Concert by Mariah Parker (Ancient-Future.Com AF 20142)
In 2009, Mariah Parker launched her Indo Latin Jazz Ensemble with a sold-out debut concert at Yoshi's in Oakland, California. Mariah’s new release for AncientFuture.com records, “Indo Latin Jazz Live in Concert,” captures the magic of that first performance, as well as subsequent Northern California concerts at the Freight & Salvage in Berkeley, the Throckmorton Theater in Mill Valley and a studio session at Bob Weir's TRI Studios in San Rafael. These multi-track live recordings were painstakingly mixed and mastered over a seven-year period by veteran Ancient Future producer Matthew Montfort.

"This is sophisticated stuff, an album of global fusion performed by a group with character, charisma and the confidence that comes across when world-class musicians at the top of their games come together and create magic in the here and now of a live performance." — Marin Independent Journal

Sangria

Photo of Sangria cover
Sangria by Mariah Parker (Ancient-Future.Com AF 2017)
This debut recording features her original compositions that draw musical inspiration from Brazil, Cuba, Spain, and India, and includes musicians from the bands Ancient Future, Oregon, Sun Ra, and Herbie Hancock's Headhunters. Sangria received airplay on over 468 New World, Jazz and Latin jazz radio programs, and earned over 365 reviews and media placements, including two songs that ascended to the Smooth Jazz Now Top 100 Songs of 2009 chart.

Sympathetic Serenade

Sympathetic Serenade Cover Art
Sympathetic Serenade for Scalloped Fretboard Guitar by Matthew Montfort (Ancient-Future.Com AF 2012)
Matthew Montfort was added to DigitalDreamDoor's 100 Greatest Acoustic Guitarists list partly in response to the release of this EP. When Montfort was working on his 2009 solo recording, he recorded a number of spontaneously improvised serenades. Were it not for some serendipitous sequencing coupled with the allure of alliteration, it's likely that 'Sympathetic Serenade' would have been released as the eighth improvisation on what became Seven Serenades for Scalloped Fretboard Guitar. Instead, this evocative Spanish serenade/raga hybrid receives a mini EP treatment on Matthew Montfort's Sympathetic Serenade for Scalloped Fretboard Guitar. The nearly 11 minute long track is available as a download complete with nine pages of digital liner notes, and as a signed CD-R exclusively at Ancient-Future.Com.

Seven Serenades for Scalloped Fretboard Guitar

Seven Serenades CD Cover
Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort (Ancient-Future.Com AF 2008)
The debut full length solo recording by Ancient Future leader Matthew Montfort showcases his pioneering work on the scalloped fretboard guitar. While previously known more for his compositions for the trendsetting world music group Ancient Future, this first solo effort features his improvisational music. The recording debuted at #8 on Zone Music Reporter's Top 100 February 2009 World Radio Chart, and held the #34 spot on the Top 100 2009.

188 Word Radio Announcement

Ancient-Future.Com Records artists are featured in three different programs at the San Francisco International Arts Festival. On Thursday, June 1, at 8 PM at Fort Mason Chapel in San Francisco, the trailblazing world music group Ancient Future will perform a Guitar-Sitar Jugalbandi featuring scalloped fretboard guitar pioneer Matthew Montfort and sitar master Pandit Habib Khan with tabla accompaniment by Ferhan Qureshi. On Saturday, June 3, at 6 pm at Gallery 308 in Fort Mason, composer, pianist, and santurist Mariah Parker will perform with her Indo Latin Chamber Jazz Sextet featuring Paul McCandless on woodwinds, Matthew Montfort on scalloped fretboard guitar, Sascha Jacobsen on bass, Jim Hurley on violin, and Ian Dogole on global percussion. On Sunday, June 4, at 3 PM at Fort Mason Chapel, three international acoustic guitar virtuosos will perform solo and ensemble pieces in a Global Guitar Summit featuring American scalloped fretboard guitar and world fusion music pioneer Matthew Montfort, master Italian guitarist and musicologist Giacomo Fiore, and German fingerstyle guitarist extraordinaire Teja Gerken. For more information, visit www.sfiaf.org. Admission for each show is $25 general, and $12.50 for those under the age of 18. A Festival Pass for five shows is $70.

Monday, March 13, 2017

Ancient Future Times: The Early Bird Gets the Tix


Ancient Future Times
Ancient Future Times: The Early Bird Gets the Tix Half Price
March 2017 Issue:

San Francisco International Arts Festival Early Bird Tickets Half Price!
•Guitar-Sitar Jugalbandi, June 1; Mariah Parker, June 3; Global Guitar Summit, June 4
Gyani Indo-Jazz Ensemble In Concert March 28
•World Music Series at Capistrano Concert Hall, CSU Sacramento
'Indo Latin Jazz Live In Concert' by Mariah Parker
•New Release on Ancient-Future.Com Records Coming to Internet and Radio Stations Near You


S. F. International Arts Festival Early Bird Tickets Half Price!

San Francisco International Arts Festival Logo

Guitar-Sitar Jugalbandi, June 1; Mariah Parker, June 3; Global Guitar Summit, June 4

Ancient-Future.Com Records artists will perform three different concerts as part of the San Francisco International Arts Festival at Fort Mason. Half price early bird tickets are available online until March 31, so get yours now!

Ancient Future Guitar-Sitar Jugalbandi, June 1, Chapel, Fort Mason

Matthew Montfort and Pandit Habib Khan
Thursday, June 1, 2017, 8 PM, Ancient Future Guitar-Sitar Jugalbandi with Matthew Montfort (scalloped fretboard guitar), Pandit Habib Khan (sitar), and Ferhan Najeeb Qureshi (tabla), San Francisco International Arts Festival, Fort Mason Chapel, Upper Fort Mason, San Francisco, CA 94109. Take Franklin Street from Bay Street. The Chapel is located near Park Head Quarters and the General's Residence. Admission: $25 general, $12.50 under 18. Full time students with ID and seniors, $4 off cover price. Limited early bird tickets available until March 31 from $12.50. Buy Tix. Concert Poster. Press Release.
Jugalbandi is a classical North Indian musical duet (meaning literally "tied together"). The guitar is not often used in the music of India. However, Matthew Montfort has studied sitar and is a pioneer of the scalloped fretboard guitar, an instrument combining qualities of the South Indian vina and the steel string guitar. This jugalbandi works well because Matthew Montfort is a guitarist with knowledge of sitar, and Pandit Habib Khan has been described as the “Jimi Hendrix of the sitar” by L'Orient le Jour, Beirut's French language newspaper. They will be accompanied by tabla master Ferhan Qureshi.

Mariah Parker’s Indo Latin Chamber Jazz Quintet, June 3, Gallery 308, Fort Mason

Photo of Mariah Parker (piano, santur), Matthew Montfort (scalloped fretboard guitar), Ian Dogole (percussion), Sascha Jacobson (upright bass), and Jim Hurley (violin)
Saturday, June 3, 2017, 6 PM, Mariah Parker's Indo Latin Chamber Jazz with Mariah Parker (piano, santur), Matthew Montfort (scalloped fretboard guitar), Ian Dogole (percussion), Sascha Jacobsen (upright bass), and Jim Hurley (violin), San Francisco International Arts Festival, Gallery 308, Fort Mason, San Francisco, CA 94109. Admission: $25 general, $12.50 under 18. Full time students with ID and seniors, $4 off cover price. Limited early bird tickets available until March 31 from $12.50. Buy Tix. Concert Poster. Press Release.
According to Latin Beat Magazine, "Parker and friends blend the rhythmic syncopations of Latin jazz music with the entrancing, asymmetrical meters of East Indian rhythms resulting in first-class world music." Paul Liberatore of the Marin Independent Journal says they "fuse Latin rhythms with influences from South America and India with a dash of straight-up American jazz… an intoxicating blend of East and West. Like all the best jazz bands, this group is as disciplined as it is innovative." This chamber variation of the ensemble with its emphasis on strings will explore new compositions as well as rearrangements of existing work.

Global Guitar Summit, June 4, Chapel, Fort Mason

Photos of Global Guitar Summit
Sunday, June 4, 2017, 3 PM, Global Guitar Summit with Matthew Montfort (scalloped fretboard guitar), Giacomo Fiore (classical guitar), and Teja Gerken (acoustic guitar), San Francisco International Arts Festival, Fort Mason Chapel, Upper Fort Mason, San Francisco, CA 94109. Take Franklin Street from Bay Street. The Chapel is located near Park Head Quarters and the General's Residence. Admission: $25 general, $12.50 under 18. Full time students with ID and seniors, $4 off cover price. Limited early bird tickets available until March 31 from $12.50. Buy Tix. Concert Poster. Press Release.
This Global Guitar Summit presents three international acoustic guitar virtuosos who will perform solo and ensemble pieces. The summit features American scalloped fretboard guitar and world fusion music pioneer Matthew Montfort, master Italian guitarist and musicologist Giacomo Fiore, and German fingerstyle guitarist extraordinaire Teja Gerken. The music performed will include new arrangements of classical works, Celtic music, Indian classical, contemporary compositions, popular songs, and much more.

Gyani Indo-Jazz Ensemble In Concert March 28

Photo of Matthew Montfort, Binay Pathak, George Brooks, and Vishal Nagar

World Music Series at Capistrano Concert Hall, CSU Sacramento

The Gyani Indo-Jazz Ensemble combines Indian raga, jazz, Arabic melodies, and global rhythms to make a unique brand of music blending classic Hindustani forms and cutting-edge improvisation. The California-based ensemble brings together world class musicians who share a passion for exploring and expanding the possibilities of merging Indian music with other genres. The result is stirring, stimulating, and breathtaking in its beauty.
Tuesday March, 28th, 2017, 8 PM, Gyani Indo-Jazz Ensemble featuring Pandit Binay Pathak (vocals, harmonium), Matthew Montfort (scalloped fretboard guitar), Osam Ezzeldin (keyboards), Abbos Kosimov (percussion), and Vishal Nagar (tabla), World Music Series, Capistrano Hall, CSU Sacramento, 6000 J Street, Sacramento, CA 95819. Adm: $15 general, $12 senior, and $8 student (free to Sac State music students on the night of the show, subject to availability). Tickets can be purchased online or by calling (916) 278-4323.

'Indo Latin Jazz Live In Concert' by Mariah Parker

Indo Latin Jazz Live In Concert CD Cover

New Release on Ancient-Future.Com Records Coming to Internet and Radio Stations Near You!

Indo Latin Jazz Live In Concert by Mariah Parker (Ancient-Future.Com AF-20142).
Indo Latin Jazz Live in Concert captures the magic of the concert debut of Mariah Parker's Indo Latin Jazz Ensemble in front of a full house at Yoshi’s in Oakland, as well as subsequent concerts at Berkeley’s Freight & Salvage, the Throckmorton Theater in Mill Valley, and Bob Weir’s TRI Studios in San Rafael.
Indo Latin Jazz Live in Concert is already on all of the major download sites and streaming sites such as Spotify and YouTube, so check it out online and then buy the CD at Ancient-Future.Com to hear it in its full glory. The add date for terrestrial radio airplay isn't until March 27, but already programmers on over 50 stations and eight countries are giving the record rave reviews. The record even debuted as the #2 World Music release on Stanford's KZSU, which played cuts from the record early to promote some local concerts!

The Streams They Are a-Changin': Be The Change You Wish to Hear with Deep Listening*

Streaming music sites do not even come close to making a sustainable financial contribution to an artist's ability to make new recordings, as payments to artists are now measured in thousandth of a cent increments. The free ad-supported streaming business model is not viable and balances its books on the backs of artists, so Ancient-Future.Com Records supports the Content Creators Coalition, which is working hard to advance the interests of musicians in the digital age. Since streaming has just overtaken digital sales of music, new artists do need to have a presence on streaming sites to be positioned for a future where artists' rights and interests are are actually considered in the equation. But we are far from that goal at present, so in the meantime please take the following steps while streaming:
  1. Listening to music should be cherished actitivy. Don't waste your listening time with low-res streaming on a cell phone or computer. Turning your master volume down to homeopathic levels while streaming will allow you to appreciate later deep listening to hi-res music on a good stereo.
  2. Share these WorldFusionMusicRadio.com playlists featuring Mariah Parker's music to gain greater exposure for world fusion music:
    1. World Music Connections: World fusion music and the traditional music that inspired it side by side.
    2. World Jazz: Jazz that influenced Ancient Future along with recent world jazz recordings.
    3. Women of World Music: World music inspired by the mythology of the feminine.
    4. Spanish Diaspora: A rich tapestry of music resulting from migrations into and out of Spain.
    5. Indian Guitar: Guitarists working in Indian music utilizing everything from slides to scalloped fretboards.
    6. Indian Fusion: Top artists in Indian fusion music.
    7. Shakti and Ancient Future: Musicians who have performed with John McLaughlin and Shakti or Ancient Future.
    8. Interspecies Music: Intriguing music influenced by interspecies interactions and nature, including live jams with Pacific tree frogs, elephants playing instruments, and Mariah Parker's 'Milo's Moment,' which was named by her cat Milo using refrigerator magnets!
  3. Buy recordings at Ancient-Future.Com and then host a deep listening party with your friends!
*Apologies to Bob Dylan, Mahatma Gandhi, and Pauline Oliveros. No apologies to streaming sites.

Wednesday, February 15, 2012

PRESS RELEASE: World Without Walls by Ancient Future with Zakir Hussain Nominated ZMR Best World Album of 2011

Ancient Future Receives Best World Music Album of the Year Nomination from ZoneMusicReporter

World Without Walls CD Cover Art

World Without Walls by Ancient Future with special guest Zakir Hussain was nominated by broadcasters worldwide as ZoneMusicReporter's Best World Album of 2011. The record debuted at #39 on the October 2011 ZoneMusicReporter Airplay Chart, which covers many different radio genres, from Ambient to Folk, Jazz, and World, and followed that up with a debut at #34 on the CMJ New World Chart in November 2011.

Radio broadcasters who report to the ZoneMusicReporter charts are eligible to vote. Final award winners will be announced on March 11th, 2012.

ZoneMusicReporter Best of 2011 Nominated Records

'World Without Walls' by Ancient Future featuring Tabla Master Zakir Hussain on Capitol Records

14 Steps youtube video
Youtube Video of 'Turkish Taffy' Recorded at Yoshi's, San Francisco, 6/7/11

On June 7, 2011, the exact lineup of Ancient Future that performed on the band's influential World Without Walls recording reunited to perform for the first time in over 15 years at Yoshi's San Francisco and other venues. To celebrate the reunion, Capitol/EMI Records has released the first ever digital version of Ancient Future's classic 1990 World Without Walls recording. It is available now for download purchase at all major digital retailers (iTunes, etc.). For those who prefer CDs, a limited number of rare collectible original 1990 edition copies signed by Ancient Future leader Matthew Montfort are on sale exclusively at Ancient-Future.Com.

As its name suggests, World Without Walls by Ancient Future depicts a musical world without borders. This classic 1990 recording features Ancient Future members Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), and Ian Dogole (percussion), plus special guest performances by world music legend and tabla master Zakir Hussain. The inviting melodies and ingenious use of ethnic textures make World Without Walls one of Ancient Future's most accessible and broadly appealing releases ever.

Tabla master Zakir Hussain
Tabla master Zakir Hussain

Ancient Future Band Biography

Ancient Future Photo Circa 1990 by Irene Young (Links to 864 x 570 Screen Version)
Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.

In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music.

Quotes

"What's an album like World Without Walls doing in the GEPR (Gibraltar Encyclopedia of Progessive Rock)? 'That's not prog!' I hear you say. Well, in my view it's definitely progressive, in the true sense of the word, rather than the 'sounds like Yes, Genesis or King Crimson' sense. Ancient Future coined the phrase 'World Fusion' to describe their music. Not insipid easy-listening 'World Music', though it might make you think of that if you aren't listening closely. World Without Walls is a remastered re-release of their 1990 classic, and doesn't sound dated at all. World Without Walls is a fusion of musical stylings, scales and rhythms from around the world. The main influences I hear are Middle Eastern, Indian and South American, though there's also Jamaican 'Island Music' sounds, Balinese and probably dozens of other influences too subtle for me to notice. The instruments run the gamut of acoustic instruments like violins, piano, tuned percussion instruments and tablas (by renowned master Zakir Hussain) and also electric guitar synths and synthesizers. Leader Matthew Montfort plays (along with other guitars) a unique scalloped-fretboard acoustic guitar which allows for subtle pitch-bending and timbre-modulation effects. A careful listen will reveal that this is way beyond the usual health-food store 'World Music' offerings and is instead a high-energy, very experimental fusion of styles from around the world. Highly recommended, and now offered as a digital download for the first time." – Fred Trafton, Gibraltar Encyclopedia of Progessive Rock (Nov 2011)

"It's hard to remember — with the plethora of World Fusion albums currently available — a time when this sort of music was the new kid on the block. It showed up when much of the music on the radio was pretty much disposable (something that, unfortunately, hasn't changed so much), when the new jazz at the time was still inspired by polyrhythms rather than melody, and the alt music scene was . . . well, kind of grungy. This classic album by Ancient Future was a breath of fresh air at the time of its release in 1990. With inspired skill and a great respect for the other cultures from which they took much of their inspiration, the band blended western music with that of pretty much every other continent, weaving magic with their melodies and rhythms. The core lineup played acoustic and electric guitars, violin, keyboards and percussion, with guests stepping in on bass, Chinese flutes, and the genius of Zakir Hussain on tabla.​And you know what? World Without Walls sounds as fresh and invigorating today as it did all those years ago upon its intial release. There's not a single bad moment on the album." – Charles de Lint, SleepingHedgehog.com (Nov 2011)

"When one listens to the melodies and musical textures of the fifth release 'World Without Walls' by the group Ancient Future, words like exotic, elegant and sublime immediately come to mind. Within the offerings one clearly hears the ethnic influences of China, India, Africa, South America, Indonesia and the Middle East to name a few. World-class musicians including award-winning guitarist, Matthew Montfort, composer/violinist Jim Hurley and Zakir Hussain, master of the North Indian Tabla have blended these various musical styles and phrasings into a musical fusion that honors and yet transcends the cultural and political boundaries. Check out the group on YouTube and see if you are not drawn into their hypnotic enchantment. Ancient Future offers a musical vision of a 'world without walls' which is both appealing and accessible to the average listener and is highly recommended for anyone wishing to explore the amazing genre of World music." – Jack Montgomery, Amplifier, Bowling Green Daily News (Sept 2011)

"San Francisco Bay Area-based Ancient Future was all about 'world fusion' before world music was even a genre. Violinist Jim Hurley came on board for this long-out-of-print 1990 outing, joining the core group of guitarist Matthew Montfort, keyboardist Doug McKeehan and percussionist Ian Dogole and remaining as a member for the rest of the group's seven studio albums. Tabla player extraordinaire Zakir Hussain was recruited for three songs. Several exotic instruments spice up this instrumental stew, including electric violin and synthesized thumb piano ('Dance of the Rain Forest'), steel drums ('April Air'), and Balinese gamelan and Chinese flute ('Nyo Nyo Gde'). Other highlights are 'Lakshmi Rocks Me,' a tribute to south Indian violinist L. Shankar; 'End of the Beginning,' a mashup of ancient Celtic and Indian influences; 'Turkish Taffy,' boasting a triple-lead attack comprising guitar, piano and acoustic violin; 'Indra's Net,' inspired by Hindu mythology and featured in the soundtrack for the drift-net fishing documentary 'Closing the Curtains of Death'; and 'Gopi Song,' a tip of the hat to Pandit Ram, master of a north Indian bowed string instrument called the sarangi." – Peter Hund, Good New Music (Sept 2011)

"Bloody hell, get me some Alzheimer's drugs, will you? Ancient Future was on Narada's Sona Gaia subsidiary with a world beat album that was ahead of it's time and they were hanging out with Zappa's world beat buddies and I don't remember any of it? Each track has a different taste and a different texture making this a world beat travelogue that gleefully genre bends whatever the crew felt like with a merger of hillbilly and Indian music, the sound of an African traffic jam and more stuff that tastes good without the over riding vibe of being good for you. And it's not empty calories either. No wonder the group labored so long and so hard to get Capitol to reissue this, it's time. More bloody hell, new copies of this are going for over $200 on Amazon! How did I miss this? This is the world beat/jazz/pop album for people that shy away from things called world beat and jazz. Fun stuff throughout that still sounds fresh and in the moment today." – Chris Spector, Midwest Record (July 2011)

Thursday, December 1, 2011

PRESS RELEASE: New Live Video Recording from Ancient Future 'World Without Walls' Reunion Concert Released

New Youtube Video from Ancient Future 'World Without Walls' Reunion

14 Steps youtube video
Live Version of 'Turkish Taffy' Recorded at Yoshi's, San Francisco, 6/7/11:
http://youtu.be/e0YyuM7YTIo

On June 7, 2011, the exact lineup of Ancient Future that performed on the band's influential World Without Walls recording reunited to perform for the first time in over 15 years at Yoshi's San Francisco, where this video of Doug McKeehan's 'Turkish Taffy' composition was recorded. Performing in the video, which is available for viewing at http://youtu.be/e0YyuM7YTIo, are Doug McKeehan (piano), Kash Killion (bass), Ian Dogole (percussion), Matthew Montfort (scalloped fretboard guitar), and Jim Hurley (violin).

'World Without Walls' by Ancient Future featuring Tabla Master Zakir Hussain on Capitol Records

World Without Walls CD Cover Art
Hi-Res Square Cover Art (3 MB)

To celebrate the reunion, Capitol/EMI Records has released the first ever digital version of Ancient Future's classic 1990 World Without Walls recording. It is available now for download purchase at all major digital retailers (iTunes, etc.).

As its name suggests, World Without Walls by Ancient Future depicts a musical world without borders. This classic 1990 recording features Ancient Future members Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), and Ian Dogole (percussion), plus special guest performances by world music legend and tabla master Zakir Hussain. The inviting melodies and ingenious use of ethnic textures make World Without Walls one of Ancient Future's most accessible and broadly appealing releases ever.

While CD's are no longer available in stores, a limited number of rare collectible original 1990 edition copies signed by Ancient Future leader Matthew Montfort are on sale exclusively at Ancient-Future.Com for $24.98.

Tabla master Zakir Hussain
Tabla master Zakir Hussain

'World Without Walls' by Ancient Future Debuts on CMJ New World and ZMR World/Ambient Charts

The World Without Walls digital reissue debuted at #34 on the CMJ New World Chart in the November 18 issue of CMJ, and at #39 on the October Zone Music Reporter World/Ambient Chart, which are very high entry positions for a digital-only release. The majority of college and public radio stations that report to these charts are still only equipped to program CD releases.

Live Version of 'Turkish Taffy' from Ancient Future Reunion at Yoshi's SF Available to Radio

Radio Can Download Broadcast Quality Tracks
Radio Can Download Broadcast Quality Tracks
http://airplaydirect.com/music/AncientFuture

The live version of 'Turkish Taffy' recorded at the Ancient Future 'World Without Walls' Reunion Concert at Yoshi's, San Francisco, is now available exclusively to radio programmers as a download. Digital audio files of the entire 'World Without Walls' recording are also available to the media upon request. Radio programmers are encouraged to visit http://airplaydirect.com/music/AncientFuture for broadcast files, where 'World Without Walls' reached the #7 most downloaded release on AirplayDirect Global Radio Indicator Charts for all genres, or contact Ancient-Future.Com Records at info@ancient-future.com.

Ancient Future Band Biography

Ancient Future Photo Circa 1990 by Irene Young (Links to 864 x 570 Screen Version)
Sepia photo for print (14.7" x 9.7" sepia jpg, 7.2 MB). Ancient Future circa 1990. Photo by Irene Young. Pictured: Matthew Montfort (guitars), Jim Hurley (violin), Doug McKeehan (keys), Ian Dogole (percussion).

BILLBOARD calls the group "trendsetters" for contributing to the emerging movement known as world fusion music, a term Ancient Future leader Matthew Montfort coined at the band’s inception for music that blends musical ideas from many different cultures. Formed in 1978, Ancient Future is the world's first and longest running ensemble dedicated exclusively to the mission of the creation of world fusion music. Their original music is an exhilarating fusion of exciting rhythms and sounds from around the globe that combines contemporary jazz and rock with the irresistible rhythms of African, Balinese, Indian, Middle Eastern and South American percussion, the rich harmonies of Europe, and the beautiful melodies of Asia.

In the years since the initial CD release of World Without Walls, Ancient Future has expanded from its core lineup through collaborations with noted masters of various world music traditions who are now an integral part of what is today more than just a band. Ancient Future has grown to become a large chamber ensemble of more than thirty performers from around the world with over a dozen smaller ensembles within it, enabling Ancient Future to realize its core mission of creating world fusion music.

Digital Release Specifications

World Without Walls 1 Sheet
World Without Walls 1 Sheet
(864 k, streaming audio)

Original Release Date: June 7, 2011

Label: Capitol Catalog

UPC: 5099908369956

Radio Promo Service: http://airplaydirect.com/music/AncientFuture

Reviewer Promo Service: info@ancient-future.com

Copyright: © 2011 Narada Productions, Inc

Genres: International/World/Jazz/General

Total Length: 44:26

Credits: Matthew Montfort (scalloped fretboard guitar, steel string guitars, electric guitars, classical guitar, guitar synthesizers, mandolin), Jim Hurley (acoustic violins, Zeta electric violin, steel string guitar), Doug McKeehan (piano, synthesizers), and Ian Dogole (dumbek, talking drum, congas, bongos, udu, shaker, bass drums, cymbal, sleigh bells, kendang, kajar, ceng-ceng, bells, chimes), Zakir Hussain (tabla, kanjira), Gary Brown (fretless electric bass), Jeff Narell (steel drums), Vince Delgado (tambourine), Jack Dorsey (drum set), Bill Douglass (acoustic bass, Chinese flutes), and Bruce Kaphan (recording engineer, shaker).

Track List: (>audio. Listen to all songs.)

  1. Lakshmi Rocks Me (Jim Hurley. 2:52)
  2. Dance of the Rain Forest (Matthew Montfort. 4:45)
  3. April Air (Doug McKeehan. 3:57)
  4. 14 Steps (Matthew Montfort. 4:30)
  5. End of the Beginning (Matthew Montfort. 5:15)
  6. Turkish Taffy (Doug McKeehan. 4:55)
  7. Alap (Matthew Montfort. 1:10)
  8. Indra's Net (Jim Hurley. 4:53)
  9. Nyo Nyo Gde (Matthew Montfort. 4:00)
  10. Gopi Song (Doug McKeehan. 7:46)

Quotes

Asian Fusion Media Report
World Without Walls Media Report (13.9 MB)

"What's an album like World Without Walls doing in the GEPR (Gibraltar Encyclopedia of Progessive Rock)? 'That's not prog!' I hear you say. Well, in my view it's definitely progressive, in the true sense of the word, rather than the 'sounds like Yes, Genesis or King Crimson' sense. Ancient Future coined the phrase 'World Fusion' to describe their music. Not insipid easy-listening 'World Music', though it might make you think of that if you aren't listening closely. World Without Walls is a remastered re-release of their 1990 classic, and doesn't sound dated at all. World Without Walls is a fusion of musical stylings, scales and rhythms from around the world. The main influences I hear are Middle Eastern, Indian and South American, though there's also Jamaican 'Island Music' sounds, Balinese and probably dozens of other influences too subtle for me to notice. The instruments run the gamut of acoustic instruments like violins, piano, tuned percussion instruments and tablas (by renowned master Zakir Hussain) and also electric guitar synths and synthesizers. Leader Matthew Montfort plays (along with other guitars) a unique scalloped-fretboard acoustic guitar which allows for subtle pitch-bending and timbre-modulation effects. A careful listen will reveal that this is way beyond the usual health-food store 'World Music' offerings and is instead a high-energy, very experimental fusion of styles from around the world. Highly recommended, and now offered as a digital download for the first time." – Fred Trafton, Gibraltar Encyclopedia of Progessive Rock (Nov 2011)

"It's hard to remember — with the plethora of World Fusion albums currently available — a time when this sort of music was the new kid on the block. It showed up when much of the music on the radio was pretty much disposable (something that, unfortunately, hasn't changed so much), when the new jazz at the time was still inspired by polyrhythms rather than melody, and the alt music scene was . . . well, kind of grungy. This classic album by Ancient Future was a breath of fresh air at the time of its release in 1990. With inspired skill and a great respect for the other cultures from which they took much of their inspiration, the band blended western music with that of pretty much every other continent, weaving magic with their melodies and rhythms. The core lineup played acoustic and electric guitars, violin, keyboards and percussion, with guests stepping in on bass, Chinese flutes, and the genius of Zakir Hussain on tabla.​And you know what? World Without Walls sounds as fresh and invigorating today as it did all those years ago upon its intial release. There's not a single bad moment on the album." – Charles de Lint, SleepingHedgehog.com (Nov 2011)

"Culturally diverse and deeply rich, you will find a blend of the exotic sounds from lands near and far; African, Balinese, Indian, Middle Eastern, South American, Europe and Asia. You will easily pick out the familiar sounds, seeing in your mind, dancers and musicians sharing their joy and passion – almost as though you are there. Admittedly, I have a weakness for violin and this album does not disappoint in that realm. What is exciting for me is the span of cultures I hear within the notes of that violin. But then, there is that tabla, and ohhhhhh, so happy I am." – Zaina Hart, iShimmy.com, The Belly Dancer Magazine (Nov 2011)

"When one listens to the melodies and musical textures of the fifth release 'World Without Walls' by the group Ancient Future, words like exotic, elegant and sublime immediately come to mind. Within the offerings one clearly hears the ethnic influences of China, India, Africa, South America, Indonesia and the Middle East to name a few. World-class musicians including award-winning guitarist, Matthew Montfort, composer/violinist Jim Hurley and Zakir Hussain, master of the North Indian Tabla have blended these various musical styles and phrasings into a musical fusion that honors and yet transcends the cultural and political boundaries. Check out the group on YouTube and see if you are not drawn into their hypnotic enchantment. Ancient Future offers a musical vision of a 'world without walls' which is both appealing and accessible to the average listener and is highly recommended for anyone wishing to explore the amazing genre of World music." – Jack Montgomery, Amplifier, Bowling Green Daily News (Sept 2011)

"San Francisco Bay Area-based Ancient Future was all about 'world fusion' before world music was even a genre. Violinist Jim Hurley came on board for this long-out-of-print 1990 outing, joining the core group of guitarist Matthew Montfort, keyboardist Doug McKeehan and percussionist Ian Dogole and remaining as a member for the rest of the group's seven studio albums. Tabla player extraordinaire Zakir Hussain was recruited for three songs. Several exotic instruments spice up this instrumental stew, including electric violin and synthesized thumb piano ('Dance of the Rain Forest'), steel drums ('April Air'), and Balinese gamelan and Chinese flute ('Nyo Nyo Gde'). Other highlights are 'Lakshmi Rocks Me,' a tribute to south Indian violinist L. Shankar; 'End of the Beginning,' a mashup of ancient Celtic and Indian influences; 'Turkish Taffy,' boasting a triple-lead attack comprising guitar, piano and acoustic violin; 'Indra's Net,' inspired by Hindu mythology and featured in the soundtrack for the drift-net fishing documentary 'Closing the Curtains of Death'; and 'Gopi Song,' a tip of the hat to Pandit Ram, master of a north Indian bowed string instrument called the sarangi." – Peter Hund, Good New Music (Sept 2011)

"Sona Gaia and Narada were two of the more interesting World/New Age labels to erupt as the arts scene began diversifying with a seriousness that arose following the collapse of the 60s/70s ethos. Narada was a sketchy proposition at times, tending to the New Agier side of the house, whereas Sona always held a more serious attitude, and one of their best releases—this one, Ancient Future's World without Walls—was never quite critiqued or marketed as it should have been: as a set of works in the tradition of Mahavishnu Orchestra, Between, Shakti, and other adventurous bands with almost inhuman chops. After all, the entire World gig pretty much rooted in the inestimably superlative Oregon, an ensemble that was and still is eons ahead of its time, talented beyond compare. Thus, those who came after should have been of-a-kind and acclaimed as such, right? Ah, but then the micky-marketeers entered, and what should've been a quantum leap became, well, Private Music, Steven Halpern, and Georgia Kelley, alas…although, in Shadowfax and others, the path was never quite erased. Well, now that everyone has sobered up and finds him- and herself able to ponder backwards, a few gems are being rescued. This re-release very much demonstrates that we missed quite a bit, even though Matthew Montfort continued his musical evolution and the band itself realigned for a dazzling concert last June (go to http://www.youtube.com/user/ancientfuture?blend=7&ob=5#p/a/u/0/Ro0VAo7a9BY and click on 14 Steps for a marvelous example). Along with Montfort came Ian Dogole, Doug McKeehan, and Jim Hurley, masters of their instruments, and the quartet played and still plays as though it were twice that size, complicated narrative and rhythms filling each track. The base flavors here are mid-Eastern modes, especially Indian, in tandem with the more sophisticated side of rock—after all, World music basically arose in the horizon-seeking of progrock, fusion, and jazz. World without Walls is drenched with the most enticing and hypnotic of essences, a record that, despite the passage of 21 years since its debut, cannot age, a document upholding a spirit of creativity ahead of its time hundreds of years ago and remaining so in the hands of masters such as these. Thank goodness some things never change." – Mark S. Tucker, Folk & Acoustic Music Exchange (Sept 2011)

"A world without walls, without borders, that's where the ensemble Ancient Future explicitly strives to inspire the music. The ensemble has already spent a long time developing quite a unique form of world fusion, which includes space for elements of jazz and minimal music. You hear the hypnotic repetitions of Steve Reich in the background in the sometimes beautiful music of this group, even though they know their murmuring music is always very pleasant to pass through, flowing like an eternal, peaceful meandering river on their way through many countries. Matthew Montfort and his ensemble have this time invited the great Indian tabla player Zakir Hussain, so this release mostly exhibits oriental atmospheres. There are beautiful woven rugs, inventive soundscapes created in which you can float away completely. Lie down on your carpet, relax, listen, close your eyes and you float. Yet you are uplifted enough to make this music so interesting that you do not fall asleep. Just listen to the tracks and you will hear what I mean - the details are refined and subtle. Beautiful." – Holly Moors, moorsmagazine.com (Sept 2011)

"For a never-before-conceived blend of Asian and Western World Music, turn to the one who coined the phrase ‘World Fusion Music', Matthew Montfort. World Without Walls by Montfort's band, Ancient Future, has just been released digitally for the first time by Capitol Records, in order to preserve the original version, which is now out of print, and, to celebrate their tour that began earlier this year. For decades, Ancient Future has dedicated themselves to the creation of their own style, mixing jazz improvisation with exotic rhythms and sounds from every part of the world. The Asian meets West release of Ancient Future's World Without Walls is one such rich musical journey. It is comprised of ten exquisite tracks with performances on scalloped fretboard guitar, synthesizer, acoustic violin, acoustic bass, and more, by its members: Ian Dogole, Bill Douglas, Doug McKeehan, Jim Hurley and Matthew Montfort. World is both complex and simple, laden with musically sophisticated arrangements and surprising blends of instruments that, although diverse, work very well. Internationally renowned Zakir Hussain (Shakti with John McLaughlin, Diga Rhythm Band, Planet Drum with Micky Hart, etc.) joins the band on several of the pieces. A child prodigy who has been duly awarded and highly acclaimed as a master of the tablas, Zakir Hussain is considered one of the pioneers of the world music movement. All the songs have their own story and ambiance, ranging from moody and haunting slow tempos (Gopi Song, Alap) to playful and bright compositions (Nyo Nyo Gde, Dance In The Rain). Imagine a clean Asian ‘tink' sound next to a full-bodied western bass, while tablas subtlety keep an unlikely groove that never dominates the overarching theme of the piece. Lakshmi Rocks Me and Dance in the Rain Forest stand out in particular, demonstrating the cool blend of styles, and offering infectious melodies and satisfying grooves. Once again Montfort has created a multi-cultural musical experience. World Music and Jazz lovers, this is a must have in your collection!" – Claudia Neuman, Pathways (Sept 2011)

"It has been said that 'history repeats itself' and this is certainly the case with Ancient Future and their 'World Without Walls' CD. Initially released in 1990, it has very recently been re-released by Capitol Records, and is available for the first time in digital format on Amazon, iTunes, etc. This coincides with a current reunion tour of the exact members of Ancient Future who played on this album at that time. The group played at the world-famous Yoshi's jazz club in San Francisco, as well as continuing on to other venues. A video of this performance can be seen at: http://www.youtube.com/watch?v=Ro0VAo7a9BY. The reunion show features Matthew Montfort on scalloped fretboard guitar, Jim Hurley on violin, Doug McKeehan on keyboards, and Ian Dogole on percussion who perform their first concerts together in over 15 years. A highlight on the album is a guest appearance by legendary tabla master Zakir Hussain on three songs. Bandleader and founder Matthew Montfort coined the term 'world fusion music' to define the band's sound, which at the time of their formation in 1978 was pretty much uncharted territory compared to today. In fact, the prestigious Billboard Magazine cited them as 'trendsetters' for their early contribution. It's gratifying to see this timeless classic album being reincarnated in this fashion, as well as the fact that Ancient Future has continued its musical evolution over a span of three decades." – Michael Diamond, Awareness Magazine, (Sept 2011)

"A refreshing collection of unifying sound that is timeless." – D. Oscar Groomes, O's Place Jazz Newsletter (Sept 2011)

"'World Without Walls' is a wonderful collection of unusual music that has something for everyone. The CD consists of instrumentals, which is a wide range of musical expression going from haunting to soothing to stimulating the senses. Ancient Future is no ordinary group. Ancient Future is a band with a cause; they are helping to create world fusion music and at the same time are helping to keep ancient traditions alive. " – Ariel Monserrat, Green Egg Magazine (Sept 2011)

"Ancient Future is a well known group inside the interesting world of the World Fusion Music (or World Music with fusions of many other styles). It is a group with a perfect fit of traditional instruments (flutes, percussion of different parts of the world, violin, etc) with others more associated with rock (bass and electric guitar, synthesizers...) and is made up of musicians who are capable of playing them all, which opens up many possibilities. The band was originally formed in 1978, with what at present is one of the most long-lived formations that has been dedicated exclusively to World Music, a genre (or perhaps an assembly of genres) that is very common at present, but that was not the case at end of the 70's. Ever since their beginnings they have mixed diverse forms of music, originating from Africa, Bali, the India, the Near East, South America, Europe and Asia in general. World Without Walls was originally released in 1990, but is now being re-issued, principally for Internet distribution. The 10 themes they composed gravitate between African and Asian ethnic rhythms and melodies adorned with a lot of Hindu sounds and wrapped, as is the usual custom in Ancient Future, with sounds of multiple instruments that move the disk towards rock or jazz in certain moments (such as guitars, piano and synthesizers). The Hindu influence is especially present due to the contribution of Indian percussionist Zakir Hussain. Hussain is a musician of great prestige inside the musical circle of the members of Ancient Future, so his percussive embellishments fit perfectly with World Without Walls. Zakir Hussain participates in the pieces entitled 'Lakshmi Rocks Me,' '14 Steps,' and 'Gopi Song.' World Without Walls has a very appropriate title. Music is, without doubt, an authentic universal language and Ancient Future shows it, by mixing in such a stunning manner so many styles that appear antagonistic, that nevertheless, they insert perfectly upon filtration through the group's sieve ." – Jorge Sergio Iglesias, Articmist.org, (Aug 2011)

"21 years after the release of the already classic 'World Without Walls' the original lineup of 'Ancient Future' reunited in a series of shows at Yoshi's in SF On this occasion Capitol/EMI Records launched the first digital version of this influential album that marked not just the career of the band and its members but represents a reference of the World Music phenomenon. The original album released in 1990 features 10 songs that mix Oriental, Celtic and African inspired rhythms with modern jazzy beats, and subdued lyricism with melodic creativity. As the title of the album suggests there's no walls between musical influences but we can say that there's no wall between these virtuoso performers, whose joyful interplay delights the listener with a fusion of exotic and western harmonies that sound like chamber music. The three composers of the album Jim Hurley on violin, Matthew Montfort guitars, Doug McKeehan piano, synthesizers looked for inspiration to ancient lands of musical tradition , bringing the African, Balinese, Chinese, Indian, Middle eastern sounds into a modern setting that preserves their original savor. It is a surprising and enchanting synthesis of classical, modern and exotic crafted with the art of a jeweler. Talking drum, bells, chimes, dumbek, udu, bass drums, sleigh bells and tabla (played by Zakir Hussein on 3 songs) keep the rhythm alive and fresh, while organically blending into the compositions. An album that is also inviting to listen more from what this legendary band has produced over the years." – Stephen Bocioaca, World Jazz News (July 2011)

"Bloody hell, get me some Alzheimer's drugs, will you? Ancient Future was on Narada's Sona Gaia subsidiary with a world beat album that was ahead of it's time and they were hanging out with Zappa's world beat buddies and I don't remember any of it? Each track has a different taste and a different texture making this a world beat travelogue that gleefully genre bends whatever the crew felt like with a merger of hillbilly and Indian music, the sound of an African traffic jam and more stuff that tastes good without the over riding vibe of being good for you. And it's not empty calories either. No wonder the group labored so long and so hard to get Capitol to reissue this, it's time. More bloody hell, new copies of this are going for over $200 on Amazon! How did I miss this? This is the world beat/jazz/pop album for people that shy away from things called world beat and jazz. Fun stuff throughout that still sounds fresh and in the moment today." – Chris Spector, Midwest Record (July 2011)

 

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