Ancient Future Performs in Las Vegas
Hi-Res Photo (300 dpi, 3.6 x 1.7) by Julie Martin, Sharif, and Inni Singh.
Shown: Matthew Montfort (scalloped fretboard guitar), Georges Lammam (Arabic violin), and Vishal Nagar (tabla)
Featuring World Guitar Pioneer Matthew Montfort, Arabic Violin Virtuoso Georges Lammam, and Indian Tabla Master Vishal Nagar
This program by the pioneering world music group Ancient Future blends the rhythms and melodies of the Arabian Peninsula, Spain, and India with contemporary jazz and rock, producing an irresistible and exhilarating fusion that captures the essence of pilgrimage, cultural exchange, exploration, and migration. The trio consists of scalloped fretboard guitarist Matthew Montfort performing with Arabic violin virtuoso Georges Lammam and Indian tabla master Vishal Nagar. These multifaceted artists create an innovative musical experience that guides listeners on a hypnotic voyage through time and place.Musical concepts such as taqsim (an Arabic method of melodic improvisation), tala (the recurring rhythmic cycles of Indian classical music), and compás (the rhythmic structure of flamenco) will be showcased. The concert will include music from Ancient Future's broad repertoire including music from the band's major label releases such as World Without Walls (voted in the top 5 world music picks by broadcasters worldwide upon its 2012 reissue on Capitol Records) and current releases on Ancient-Future.Com Records such as Planet Passion, Yearning for the Wind, and the Archive of Future Ancient Recordings.
Ancient Future is the first and longest running musical organization dedicated exclusively to the mission of creating world fusion music. The term was coined by bandleader Matthew Montfort in 1978 to describe Ancient Future’s unusual blend of musical traditions from around the world. BILLBOARD calls the group "trendsetters" for their early contributions to the movement, which seeks to show how people from different cultures can grow by learning from each other.
Saturday, September 8, 2 PM
Ancient Future Indo Arabic Trio
Featuring World Guitar Pioneer Matthew Montfort, Arabic Violin Virtuoso Georges Lammam, and Indian Tabla Master Vishal Nagar
Winchester Cultural Center
3130 S. McLeod Dr.
Las Vegas NV 89121
Adm: $12 advance, $14 day of show
Purchase Tix
Info: Call 702-455-7340
Facebook Event
Matthew Montfort (scalloped fretboard guitar)
Hi-Res Photo (300 dpi, 5 x 3) by Michael Braden of Matthew Montfort Recording A.F.A.R.
The leader of the world music group Ancient Future, Matthew Montfort, released his first solo recording, Seven Serenades for Scalloped Fretboard Guitar, in 2009. He is a pioneer among guitarists who have had their fretboards scalloped in order to play various forms of world music that require intricate note-bending ornaments while still being able to play chords. Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. He is recognized as one of the world's 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com, a curated "best of" site, along with such luminaries as Michael Hedges, Leo Kottke, Chet Atkins, John Fahey, Merle Travis, John Renbourn, Tommy Emmanuel, Doc Watson, Pierre Bensusan, Alex De Grassi, and Peppino D'Agostino. The December 2009 Les Paul issue of Guitar Player Magazine includes a full page feature on Matthew Montfort with a corresponding GuitarPlayer.Com video and lesson entitled “The Music of Jimi Hendrix Applied to Indian Raga.” He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has performed live on national radio and TV shows such as the Echoes Living Room Concerts on Public Radio International, and the Rachel Maddow Show on MSNBC. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.
Georges Lammam (Arabic violin and vocals)
Georges Lammam, of Palestinian descent, was born in Beirut, Lebanon. He is a solo violinist exemplifying the Arab style of instrumental improvisation. Mr. Lammam toured in Bolivia with renowned artists Eddie and Gabriel Navia, and joined stellar performers hosted by JoinedHands (USA NP), organized by Marcus Lovett (Phantom of the Opera), to support refugee families and humanitarians in the refugee camp in Chalkida, Greece, hosting thousands of people from Syria, Iraq, and Afghanistan. His compositions and performance excerpts are included in scores for two award-winning documentaries: Occupation 101 and Tea on the Axis of Evil, and he recorded a well-known folkloric dabke (an Arab folk dance) in a 2016 feature film, Wrestling Jerusalem by Aaron Davidman. His newest CD, Opus Omnia, was released in 2017.
Vishal Nagar (Indian tabla)
Hi-Res Photo by Michael Braden of Vishal Nagar Recording A.F.A.R.
"He has magic in his hands" - HINDUSTANI TIMES
Vishal Nagar is considered one of the most gifted tabla players of his generation. Born into a family of musicians, Vishal has been surrounded by music in an extremely musically creative and artistic environment. Since childhood, he has been fascinated by tabla and began to play at an early age. Vishal had his initial training for a very brief period with the late Ustad Latif Ahmed Khan of the Delhi Gharana. After his Ustad's untimely demise, Vishal continued his training under the guidance of Ustad Shamim Ahmed Khan of the same Gharana (school). Along with the dense and rare tabla repertoire taleem which was he received from his Ustad, he also has had intense rhythmic (layakari) training from his mother, the renowned and highly respected Kathak dancer and vocalist, Urmila Nagar. Vishal has been praised in the Indian press for his unique combination of melodic tabla sound production with masterful command of rhythm.
Vishal has had the privilege of performing with such renowned artists as Ustad Shujaat Khan, Guru Urmila Nagar, Vidhwan Trichur Ramachandran, Pandit Ramesh Misra and Miss. Kala Ramnath. Vishal has also had the honor of sharing the stage with some great world music masters such as African drum legend Babatunde Olatunji, Michel Shrieve, Evyind Kang, Carmona Flamenco, and Michael Wimberley. Vishal has also expanded his cultural boundaries and collaborated with musicians from around the world. Some of his memorable works have been with the Ghanaian Guitarist Koo Nimo with whom he also appeared in WOMAD USA (a leading world dance and music festival started by Peter Gabriel). Starting his performance career at the age of eight in Patna, Vishal has performed around the globe including performances in many cities in India, Sweden, Germany, Denmark, Thailand and the United States. Vishal has also been awarded with the Ministry of Culture Scholarship from the Department of Culture.
Video
'El Zaffa' by Ancient Future
'El Zaffa' YouTube Video URL: https://youtu.be/mHle2ipjQsU
Ancient Future performs 'El Zaffa' from their Planet Passion recording. The composition is based on the Egyptian wedding march rhythm elzaffa and features Matthew Montfort (composer, scalloped fretboard guitar), Georges Lammam (Arabic violin), Salaheddin Takesh (Arabic percussion), Doug McKeehan (keyboards), and Sapphira (belly dance). It reached #1 Middle Eastern on Ethnocloud.com in July 2014. In memory of and thanks to Brilla and Gordy Hall at Gordyo Video.
'Yearning for the Wind' by Ancient Future
'Yearning for the Wind' YouTube Video URL: http://youtu.be/zurMLOP68K0
Recorded in December 2013, this evocative piece was produced for The Archive of Future Ancient Recordings, Ancient Future's ambitious ongoing recording project featuring the many master musicians from around the world who perform with the band. To finance A.F.A.R., Ancient-Future.Com Records provides financial supporters access to select files from Ancient Future's recording archives and new studio recordings as they are created. On February 11, 2014, the exact 35th anniversary of the first Ancient Future concert, Yearning for the Wind became the 10th track added to the archive. To promote The Archive of Future Ancient Recordings, Earth Day of Ancient Future's 35th year performing was chosen for the digital preview release of Yearning for the Wind through iTunes and other digital retailers.
Within a week of its digital preview release, Yearning for the Wind rose to the top of the Ethnocloud.com World Music Charts, earning #1 spots in both the video and audio track categories, and propelling Ancient Future to the #1 rated artist spot in June, 2014.
Relevant Recordings on Ancient-Future.Com Records
The Archive of Future Ancient Recordings by Ancient Future
Hi-Res Cover Art (300 dpi, 5 x 5)
The Archive of Future Ancient Recordings by Ancient Future. (Ancient-Future.Com AF-2030). Recording Newsletter Package (128 kbps MP3): $15. Download Supporter Package (320 kbps MP3): $25. Limited to 300 packages. Limited Edition CD Sponsor Package (CD quality .wav): $50. Limited to 200 packages. Honorary A & R Representative Package (Hi-res 24 bit .wav): $75. Limited to 100 packages.
During Ancient Future's 30th anniversary year, work started on the next project of the band: The Archive of Future Ancient Recordings (A.F.A.R.). To finance the project, a subscription system model is being employed to fund the recording through fans of world fusion music. There are already eight tracks in the archive available right now to subscribers, with more coming as money is raised for production.
Yearning for the Wind by Ancient Future
Hi-Res Cover Art (300 dpi, 5 x 5)
Yearning for the Wind by Ancient Future. Signed Audio/Video E-CD-R. List $17.98.
"Matthew Montfort has been sending us wonderful music for many years now… this newest EP is (without question) the best music I've ever heard him play! The 9:37 'Yearning For The Wind' is 'the' piece… Matthew is joined by Vishal Nagar on tabla, and they clearly show (sonically) the joy than can be achieved by well-placed and strictly focused music. The tabla percussion makes it far more than 'just another raga'… I'm very strongly impressed and moved by this single piece of music…. you'll find yourself spinning it over and over again." — Dick Metcalf, ZZAJ PRODUCTIONS
Planet Passion by Ancient Future
Hi-Res Cover Art (300 dpi, 5 x 5)
Planet Passion by Ancient Future (Ancient-Future.Com AF 2010) $17.98.
"If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future's re-issue of their seventh recording. Featuring instrumentation from Africa, Asia, South America and the Middle East, Planet Passion is a mythical story of love, flirtation, seduction, courtship, marriage and longing. Manose Singh's bansuri flute and Matthew Montfort's scalloped fretboard work stand out in this eclectic, visionary global village, where each track features its own unique set of players. At its best, Planet Passion strives to preserve the world's vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future's global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality." — Ryan Allen, LEO WEEKLY, Louisville, Kentucky
Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort
Hi-Res Cover Art (300 dpi, 5 x 5)
Seven Serenades for Scalloped Fretboard Guitar by Matthew Montfort. (Ancient-Future.Com AF 2008). $17.98.
"Because Montfort's guitar has a scalloped fretboard, his fingers touch only the strings, enabling him to produce ornaments more characteristic of the sitar. This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition." — Teed Rockwell, INDIA CURRENTS, March 2009
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