Ancient Future Times: Performances Celebrating 38 Years of World Fusion
February 2017 Issue:
Ancient Future Performs Live on KPFA, 94.1 FM, Feb. 9, 10 PM PST
•World Guitar Pioneer Matthew Montfort, Tabla Virtuoso Vishal Nagar, & Pianist/Santurist Mariah Parker
Trinity Chamber Concerts Presents Ancient Future Feb. 11, 8 PM
•38th Anniversary Show at Trinity Chapel, Berkeley
'Indo Latin Jazz Live In Concert' by Mariah Parker
•New CD Release on Ancient-Future.Com Records
Save the Dates: San Francisco International Arts Festival
•Guitar-Sitar Jugalbandi, June 1; Mariah Parker, June 3; Global Guitar Summit, June 4
Ancient Future Performs Live on KPFA, 94.1 FM, Feb. 9, 10 PM PST
World Guitar Pioneer Matthew Montfort, Tabla Virtuoso Vishal Nagar, & Pianist/Santurist Mariah Parker
Ancient Future will be performing LIVE on Derk Richardson's "The Hear and Now" on KPFA 94.1 FM on Thursday, Feb. 9, at 10 PM PST. Listen on your radio, or stream it live from the link below. Afterwards, it will be archived for two weeks.https://kpfa.org/program/the-hear-and-now/
Trinity Chamber Concerts Presents Ancient Future Feb. 11, 8 PM
38th Anniversary Show at Trinity Chapel, Berkeley
Celebrating the exact 38th anniversary of their first concert, the trailblazing world music group Ancient Future will perform as part of the Trinity Chamber Concerts Series in Berkeley on February 11, 2017.Blending ancient world music traditions from fiery flamenco to resonant raga with the contemporary colors of jazz and rock, this variation of the world fusion music group Ancient Future features world guitar pioneer Matthew Montfort, renowned Indian tabla virtuoso Vishal Nagar, and composer/pianist/santurist Mariah Parker performing new music and favorites from the band's eight ground breaking recordings.
Ancient Future is the first and longest running musical organization dedicated exclusively to the mission of creating world fusion music. The term was coined by bandleader Matthew Montfort in 1978 to describe Ancient Future’s unusual blend of musical traditions from around the world. BILLBOARD calls the group “trendsetters” for their early contributions to the movement, which seeks to show how people from different cultures can grow by learning from each other. Their first concert was February 11, 1979, at the original Sleeping Lady Cafe in Fairfax, California.
Saturday, Feb. 11, 2017, 8 PM
Trinity Chamber Concerts
Trinity Chapel
2320 Dana Street between Bancroft Way & Durant Avenue
Berkeley, CA 94704
Tix: $20 general, $15 senior/disabled/student. No one will be turned away for lack of funds.
Info and reservations: 510-778-1719 or email info@trinitychamberconcerts.com. Press Release. Facebook Event.
'Indo Latin Jazz Live In Concert' by Mariah Parker
New Release on Ancient-Future.Com Records
Indo Latin Jazz Live In Concert by Mariah Parker (Ancient-Future.Com AF-20142).Released Jan. 20, 2017, Indo Latin Jazz Live in Concert captures the magic of the concert debut of Mariah Parker's Indo Latin Jazz Ensemble in front of a full house at Yoshi's in Oakland, as well as subsequent concerts at Berkeley's Freight & Salvage, the Throckmorton Theater in Mill Valley, and Bob Weir's TRI Studios in San Rafael.
"A collection of smartly imagined original tunes that touch on range of cultural influences. You'd expect nothing less from a cast a master musicians whose credits range from Wynton Marsalis to Sun Ra to Bolivian pan flute maestro Gonzalo Vargas. The cultural mix changes from song to song and often within the song. Reeds master Paul McCandless starts the opening track, 'Affinity Minus One,' with a passage that lightly but firmly references Indian classical music before shifting into a more Coltrane-y mood later in the song. Guitarist Matthew Montfort similarly does a brilliant sitar imitation at the start 'Close Passage' before dialing back to a more natural timbre. The group makes its boldest cross-cultural stand with 'Sangria,' which combines McCandless's Indian-flavored musings on oboe and bass clarinet, yet more of Montfort's sitar evocations and Rice variously suggesting flamenco and salsa with his percussive flourishes. Plus Parker playing the santur, a dulcimer of Persian origins. On paper, it looks like a recipe for disaster, but the musicians pull it off with aplomb. So who cares if the zeitgeist is turning to xenophobia and isolationism—viva multiculturalism!" – David Becker, AllAboutJazz.Com
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